10. The Edge of Seventeen - I will never not relate to awkward and angsty teenage girls. This movie feels like it could have been directed by John Hughes. It feels retro and modern and timeless, all at once.
09. The Invitation - I remember watching this and having an overpowering sense of dread. I had no idea what was going to happen and the slow burn feel of the first half is well rewarded with that gut punch ending.
08. The Lobster - The weirdest, darkest, funniest movie of the year is a love story about a man who must find love in 45 days or he will turn into the animal of his choice. The first half is stronger than the second, but it's still a movie you'll be thinking about for months. In a world where there are so many sequels and reboots, at least someone has an original idea.
07. Hell or High Water - This feels like it's a movie from that rebellious late sixties / early seventies period, and if this movie was made back then it probably would have starred Jack Nicholson and Dennis Hopper. Who doesn't love a good old, well written story about bank robbers??
06. Nocturnal Animals - It's like a Hitchcock fever dream - beautifully filmed and endlessly unsettling, violent and gorgeous and strange and warped and absolutely killer. This is fine, tense story telling.
05. Green Room - The first good movie I saw in 2016, it's been squarely in my top 5 since March. This is such a kick ass thriller, about a punk band who witnesses a murder and their fight for survival after wards, that I tell everyone I know to watch it. RIP Anton Yelchin.
04. Arrival - What we need more of in film is smart sci fi written for adults, not silly comedies that make light of it. Arrival is probably the smarted and most well crafted movie of the year. It left me mesmerized and dazzled with it's complicated, yet simple story.
03. American Honey - My boyfriend says this movie is terrible because it's not "about" anything. I disagree and say it's about everything. It's about being young and wild and free and lonely and curious and in love and jealous and feeling desperate to find a place or a group of people that make you feel okay about yourself. This movie is gorgeously filmed, and it's like if Terrence Malick directed a Larry Clark movie.
02. Manchester By the Sea - My favorite thing about Manchester is how easy it could have delved into melodrama. This movie could have had so many scenes where characters just screamed and cried and they surely would have been guaranteed their Oscars. But so much of what makes this movie feel like a punch to the gut is that so much of it is off camera and we are left with the results, and they are quiet and reserved, but no less effective.
01. La La Land - The first perfect movie I have seen since The Social Network. This is a big, loud, joyous musical and an intimate little love story. How can a movie feel so full of life and joy that it has you smiling from the very first second, and then leave you crying with gut wreching bittersweet agony in the end? That is the power of La La Land. And I am STILL singing City of Stars to myself everywhere I go.
Labels: Anton Yelchin, Best Films, Top Ten List, Yearly Wrap Up