This Cinephile

Wednesday, December 23, 2020

Book Rankings 2020

Now for something a little different... a complete ranking of the 49 books I read for the first time this year (did not include 3 old favorites I re-read).  

The Top Ten!
01. A Little Life by Hanya Yanagihara
02. Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe
03. Columbine by Dave Cullen
04. A Gentleman in Moscow by Amor Towles
05. The Big Goodbye: Chinatown and the Last Years of Hollywood by Sam Wasson
06. Conversations with Friends by Sally Rooney
07. Fleishman Is in Trouble by Taffy Brodesser-Akner
08. Saint X by Alexis Schaitkin
09. Anna K by Jenny Lee
10. Trust Exercise by Susan Choi

So Good, So Good!
11. Savage Appetites: Four True Stories of Women, Crime and Obsession by Rachel Monroe
12. The Glass Hotel by Emily St. John Mandel 
13. Eight Perfect Murders by Peter Swanson 
14. Fleabag: The Scriptures by Phoebe Waller-Bridge
15. My Dark Vanessa by Kate Elizabeth Russell
16. Tuesday Mooney Talks to Ghosts by Kate Racculia
17. The Searcher by Tana French
18. Three Women by Lisa Taddeo 
19. Heavy by Kiese Laymon
20. Freedom by Jonathan Franzen
21. Death In Her Hands by Ottessa Moshfegh

Would Recommend
22. The Tenant by Katrine Engberg
23. Foe by Iain Reid 
24. Lock Every Door by Riley Sager
25. Thin Girls by Diana Clarke
26. The Hunting Party by Lucy Foley
27. Curious Toys by Elizabeth Hand
28. Act Like a Lady by Keltie Knight, Becca Tobin, Jac Vanek
29. Take Me Apart by Sara Sligar
30. Homesick for Another World by Ottessa Moshfegh
31. The Paris Wife by Paula McLain
32. Malorie by Josh Malerman
33. The Last Book on the Left by Ben Kissel et. al. 
34. Movies (and Other Things) by Shea Serrano

A Mixed Bag
35. Good Me Bad Me by Ali Land
36. The Guest List by Lucy Foley
37. The Herd by Andrea Bartz
38. The Lost Night by Andrea Bartz
39. The Lost Daughter by Elena Ferrante 
40. The Furies by Katie Lowe
41. The Texas Chainsaw Massacre: The Film That Terrified a Rattled Nation by Joseph Lanza
42. Let's Go Play at the Adams' by Mendal W. Johnson 
43. Chase Darkness With Me by Billy Jensen
44. Imaginary Friend by Stephen Chbosky 

Stay Far Away!
45. Violet by Scott Thomas
46. The Twisted Ones by T. Kingfisher
47. Tangerine by Christine Mangan
48. Party Girls Die in Pearls by Plum Sykes
49. Long Black Veil by Jennifer Finney Boylan 

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Monday, December 21, 2020

Complete List of Grades 2020

 Alphabetical, by grade...

A+

A

A-
Black Bear
Possessor


B+
Babyteeth
Emma.
Never Rarely Sometimes Always
Saint Frances

B
The Assistant
The Bee Gees: How Can You Mend a Broken Heart
Swallow
True History of the Kelly Gang
The Way Back

B-
The High Note
The Lodge
Underwater

C+
First Cow
The Invisible Man
Showbiz Kids
Valley Girl
Yes, God, Yes

C
The Hunt
The Photograph

C-
Fear PHarm
How to Build a Girl
The Wretched
You Should Have Left


D+
Downhill
The Gentlemen
The King of Staten Island


D
Guns Akimbo
The Rhythm Section 


D-
The Turning


F
Birds of Prey
Fantasy Island

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Tuesday, December 15, 2020

Top Ten Films of 2020

10. True History of the Kelly Gang
Starring - George MacKay, Essie Davis, Nicholas Hoult, Charlie Hunnam, Russell Crowe
Director - Justin Kurzel 
With sweeping, stunning visuals and a story about Australia's legendary rebel, True History of the Kelly Gang is a brutal, yet beautiful film.  It has a feel of anarchy surrounding it, and though it is a bit cliché from time to time, the gorgeous filmmaking and killer performances elevate it to something truly worthy of praise.  George MacKay (who broke out in a big way in 1917) carries the entire film on his back, giving a master class in acting.  Essie Davis is impressive (in one of two great performances this year), and Nicholas Hoult manages to somehow always be entertaining (and sexy!).  Violent, beautiful, sexy!  

09. The Assistant
Starring - Julia Garner
Director - Kitty Green
The plot may sound boring.  Let's follow around a pretty, young assistant.  We will watch her leave her house in the morning and watch her make coffee and watch her reheat food in the microwave.  But there is something lurking in the corners of this #metoo era movie.  It's subtle uneasiness that becomes more and more palpable as the movie goes on.  There are hints and rumors and whispered gossip... kind of like what these situations would be like in real life.  It's a quiet movie, but an important one. 

08. The Way Back
Starring - Ben Affleck
Director - Gavin O'Connor
Stop me if you think you've heard this one before - down on his luck, alcoholic, one time golden boy becomes unlikely mentor for struggling teenage sports team with one kid that could be a star, with a little luck and the right coach.  Yes, we've seen movies like The Way Back before, but we haven't seen a performance like the one Affleck gives.  It's real and it's raw and it hurts so much.  O'Connor elevates the material as well (what more do you expect from the guy that gave us the very Shakespearian Warrior?).  This could have been another cliché sports movie, another story of a drunken mess of a man, but it manages to find a new way to tell a familiar story.

07. Swallow
Starring - Haley Bennett, Austin Stowell, Elizabeth Marvel, Denis O'Hare
Director - Carlo Mirabella-Davis
Hunter has it all.  She has a successful, nice guy husband, a gorgeous new house, and a baby on the way.  Her life looks perfect (sort of your like your picture perfect Instagram friends).  But then she develops a disorder where she starts to eat inedible things - batteries, thumb tacks, you name it.  You can't take your eyes off of Bennett in this tale of a woman's struggle to gain control of her life.  It feels like a spiritual sequel to Rosemary's Baby.  

06. Emma. 
Starring - Anya Taylor-Joy, Johnny Flynn, Mia Goth, Bill Nighy 
Director - Autumn de Wilde 
We've all seen Gwyneth Paltrow's turn as Emma in the 90s, and we've all seen Clueless which famously updated the story to make it SO VERY 90s, but this latest version of Emma is the feel good romance we didn't know we needed in this dreadful year.  It's colorful, it's fun, it feels fresh and modern.  It's beautiful to look at (those costumes are exquisite) and every character is cast perfectly.  It's comforting and charming and an absolute delight. 

05. Babyteeth 
Starring - Eliza Scanlen, Toby Wallace, Essie Davis, Ben Mendelsohn 
Director - Shannon Murphy
A simple love story about a dying teenage girl who falls in love with a boy her parents don't approve of (he is older, and a drug dealer, after all).  This movie is an emotional roller coaster that knocks you off your feet.  The performances are top notch and every moment feels weighted with such a heavy amount of raw sadness.  I could watch these actors play these roles forever. 

04. Saint Frances
Starring - Kelly O'Sullivan, Charin Alvarez, Ramona Edith Williams
Director - Alex Thompson 
Imagine if Hannah from Girls was actually not a completely terrible person and we wanted to root for her to get a happy ending?  O'Sullivan (who also wrote the script) plays a woman who makes a lot of really terrible decisions who ends up taking a job as a nanny to a 6 year old while her lesbian parents struggle with their relationship, post partum depression, their careers and a newborn.  Of course, O'Sullivan's Bridget starts off making every mistake you can imagine, but soon bonds with Frances (and one of her moms).  It's a movie that will have you smiling ear from ear.  Everyone in the movie is so likable, and you really want them all to have a happy ending.  For me, it's the feel good movie of the year.  And kudos, for talking about so many things concerning women that movies usually shy away from.  More movies like Saint Frances, please! 

03. Never Rarely Sometimes Always
Starring - Sidney Flanigan, Talia Ryder
Director - Eliza Hittman 
I watched this movie months and months ago, but it's so quietly powerful that it has stayed with me throughout the year.  The story is simple - a 17 year old girl with an unwanted pregnancy travels with her cousin from rural Pennsylvania (shout out Shamokin!) to New York City to get an abortion.  That's it, that's the plot.  Nothing exciting happens.  There are no big plot twists or reveals.  This is just a very good movie, about a very real situation, with very great performances.  

02. Possessor 
Starring - Andrea Riseborough, Christopher Abbott, Jennifer Jason Leigh, Sean Bean
Director - Brandon Cronenberg 
You know I'm excited that this is one of the most bleak movies of the year!  Possessor is a wild ride and a movie that is certainly not for everyone.  It follows Riseborough as an assassin who enters the mind of an unsuspecting host in order to kill someone close to them.  Her newest host is Abbott's Colin, who starts to struggle for control of his body, when he has to kill his girlfriend and her powerful father.  The plot alone is powerful, but Cronenberg (son of David, obviously!) manages to make this a visceral (violent, and very bloody) experience that is powerful to watch.  The performances are killer (this is one of two great performances from Abbott, who may be one of my new favorite actors) and that ending?  The best of the year. 

01. Black Bear
Starring - Aubrey Plaza, Christopher Abbott, Sarah Gadon
Director - Lawrence Michael Levine
First of all, I want to have sex with all three of the stars of this movie.  Second of all, I didn't know Aubrey Plaza had this sort of performance in her.  Third of all, as soon as I finished watching this mind fuck of a movie, I wanted to watch it again.  It's sexy and it's funny and it's ambitious and it's artistic and it's intriguing and it's just damn good.

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Friday, December 11, 2020

Top Ten Best Performances of 2020

10. Julia Garner as Jane in The Assistant - The Assistant is not an exciting movie.  In fact, not much explicably happens as we follow Garner's put upon assistant throughout a day in her life working for a Harvey Weinstein-esque producer in New York City.  Still, her performance is so taut and controlled, it steadies the movie into becoming compulsively watchable, especially when it's unsettling nature creeps up on you. 

09. Mia Goth as Harriet Smith in Emma. - I've seen Mia Goth in a few different projects now, and she always seems to play someone who is a little strange or a little weird.  I honestly wasn't expecting this kind of performance from her - so pure and innocent, and full of joy.  She inhabits the naivety, childlike wonder and hopeless romanticism of Harriet so perfectly. 

08. Ben Affleck as Jack in The Way Back - As an alcoholic construction worker reeling from a phenomenal personal loss, Affleck is utter, heartbreaking perfection as the messed up Jack.  It's a performance that is so engrossing and so simply outstanding, that it often elevates the story, which is sort of formulaic, but with Affleck at the center, is never boring. 

07. Eliza Scanlen as Milla in Babyteeth - As far as I'm concerned, Scanlen is going to be a huge star.  How someone can go from playing evil Amma in Sharp Objects to sweet Beth in Little Women is beyond me, but now add in this layered and powerful performance as a dying teenager falling in love for the first time, and you are left with someone whose future is very bright.  I read a review where they referred to the movie as "delicate, but never precious" and I think that is an apt description of Scanlen's powerful performance as well.  

06. Anya Taylor-Joy as Emma in Emma. - Taylor-Joy has always seemed like she is of another time or place, so transferring her back to the time of Jane Austen seems like a perfect decision... and it is.  Though we've seen it before, this version of Emma seems absolutely modern, and Taylor-Joy is perfect as the haughty, tunnel vision matchmaker.  She is funny and clever and you just can't take your eyes off of her. 

05. Hayley Bennett as Hunter in Swallow - In a movie that feels like a spiritual successor to Rosemary's Baby, Bennett slays as Hunter, a newly married woman who starts eating inedible things.  Swallow may not sound like a good movie, but it happens to be an unsettling slow burn of a film, with Bennett further making a case for herself as one of the most exciting working actresses today.  

04. Elisabeth Moss as Cecelia in The Invisible Man - **Sigh**  Maybe one day Elisabeth Moss will find a movie that is as good as she is.  Because right now, her talent far outweighs any movie project she has ever been involved with.  She has a knack for choosing great TV roles on great TV shows (Mad Men, Top of the Lake, Handmaid's Tale), but the movies she has been in are below par.  However, she is always great in them, and that is the case here as well.  I found The Invisible Man to be merely average, but Moss is stunning, as usual.  If you want evidence, you only need to watch the first 10 minutes where she wordlessly escapes from an abusive relationship in the dead of night.  She is terrified but determined and resilient.  It's utter perfection.  

03. George MacKay as Ned Kelly in True History of the Kelly Gang - Remember when Marcia Gay Harden invented acting in The Mist?  Watching MacKay carry this movie on his back and act circles around everyone and be simultaneously sensitive and violent, brooding and emotive is sort of like that.  

02. Sidney Flanigan as Autumn in Never Rarely Sometimes Always - This is a movie and a performance that I keep coming back to.  I just can't get either out of my head.  As a 17 year old from rural Pennsylvania with an unwanted pregnancy, this slow and subtle movie follows Flanigan as she travels to New York City to get an abortion.  Her performance is so powerful, made even more so by how small it is.  There are no big emotional outbursts, no yelling, no screaming, no "meaty" actor scenes.  In fact, the most powerful scene is when Autumn has to answer a questionnaire administered by a clerk at the clinic.  The camera never leaves her face as she is asked progressively more excruciatingly intimate questions that she has to answer with either "never," "rarely," "sometimes," or "always."  It's one of the quietest scenes of the year, and one of the most unforgettable. 

01. Aubrey Plaza, Christopher Abbott and Sarah Gadon as Alison, Gabe and Blair in Black Bear - All the passive aggression and aggressive aggression, the bizarre love triangle argumentative spirit, the subtle sexiness, the manipulation and, just, general mind fuckery.  This trio gets all the mind blown, fire emojis.  

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Monday, December 07, 2020

Worst Films 2020

2020 was a trash year, and had plenty of terrible films to match. 

 05. Guns Akimbo - What if we cast the kid from Harry Potter to play a computer nerd who finds himself inexplicably thrust into a violent online game turned real life battle in which he INEXPLICABLY has guns attached to his hands? Yes, this sounds like a fake movie. No, not once do they play Twenty One Pilots "Guns for Hands". I feel like maybe this could have been a really fun bad movie, if everyone involved realized they were making a bad movie. But there is a certain air of, "Oh, we are making a great movie here" vibes, which makes it a bad movie that isn't even fun. 

 04. The Rhythm Section - What if Serena from Gossip Girl had a really bad British accent and randomly decided to stop using heroin and train to be an assassin to avenge the death of her family in a plane crash that wasn't an accident because (enter convoluted plot here)? On the plus side, there is a really cool car chase scene near the end. On the bad side, literally everything else. 

 03. The Turning - What if we ripped off one of the greatest ghost stories ever written and cast that kid from Stranger Things in it? In, what I guess is supposed to be an homage to The Turn of the Screw, I'm way too good for this movie Mackenzie Davis plays a woman who becomes a live in governess to two children - one precocious and adorable and one freshly kicked out of boarding school (Finn Wolfhard, the aforementioned Stranger Things kid). Of course, lots of things that are supposed to be creepy happen, but none of them are really creepy at all. And, also, the end is just terrible. 

 02. Fantasy Island - What if we took a TV show no one under the age of 40 remembers but markets it as a horror movie for millennials? A group of contest winners go to a, ahem, fantasy island, where they are promised their greatest dreams can come true. Although, spoiler alert, the dreams become nightmares real quick. Lucy Hale is the biggest star in this movie, so that has to tell you something. On the plus side - Maggie Q wears a killer casual dress that I still think about on the regular. 

 01. Birds of Prey - What if we absolutely waste the talent of Margot Robbie by making this character completely annoying and unlikable? Harley Quinn was one of the better things about the abysmal Suicide Squad, a movie that was bad, but made money, so of course there has to be sequels and spin offs. Harley Quinn in a solo movie? Not so great. It's all style and no substance, with a quality that feels stitched together instead of cohesive. Sure, some of the individual scenes are kind of cool, but you can't make a good movie out of that. It felt very American Horror Story to me, in the sense that they always start off with one idea and then sort of throw anything and everything they can think of into a season until it's all just too much and none of it makes sense and it becomes a huge, annoying mess in the end.

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Tuesday, December 31, 2019

Complete Grades 2019

Alphabetically, by grade:

A+
Uncut Gems

A
Little Women

A-
Knives Out
Midsommar
Parasite

B+
Ad Astra
Booksmart
The Last Black Man in San Francisco
Marriage Story
Once Upon a Time in Hollywood
The Peanut Butter Falcon

B
The Farewell
Ford v Ferrari
Haunt
Hustlers
Late Night
Love, Antosha
Luce
Rocketman
Shazam!
Star Wars: Episode IX - The Rise of Skywalker
Us
Wild Rose

B-
Avengers: Endgame
Gloria Bell
John Wick: Chapter 3 - Parabellum
Ready or Not
We Have Always Lived in the Castle
Yesterday

C+
Blinded by the Light
Five Feet Apart
High Life
Joker
Long Shot
Ma
Spider-man: Far From Home
Teen Spirit

C
Captain Marvel
Charlie Says
Her Smell
Pet Sematary
Scary Stories to Tell in the Dark
Where'd You Go, Bernadette

C-
The Dead Don't Die
The Dirt
Replicas

D+
Happy Death Day 2 U
The Kitchen
The Prodigy
The Souvenir
Them That Follow

D
The Curse of the La Llorona
Escape Room
Glass

D+
Dark Phoenix
Serenity

F
Cold Pursuit
Isn't It Romantic
Under the Silver Lake

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Monday, December 30, 2019

Top Ten Movies of 2019

10. The Last Black Man in San Francisco - The best under the radar movie of the year, The Last Black Man in San Francisco follows two friends who try to buy the grand house that one of the men think their grandfather built, and that was his childhood home. But to say this movie is about a house, is like saying Jaws is just about a shark. There is so much more going on in this movie, including a study of male friendship, toxic masculinity, gentrification, and the lies passed down through generations of family. If you get a chance to see this low budget gem, do it.

09. Booksmart - No, Booksmart is NOT the female version of Superbad. Sure, it has a few things in common - both are super funny movies about two high schoolers who are looking to experience one big party. But Booksmart is a hilarious feminist leaning movie about female friendship. It manages to be progressive and inclusive without seeming preachy, and it manages to be heartfelt, without feeling cheesy. A lot of this has to do with the performances from leads Beanie Feldstein adn Kaitlyn Dever, but a whipsmart script certainly helps as well.

08. Marriage Story - The perfect storm of auteur directors meets pitch perfect script meets killer performances, Marriage Story manages to be both heartwarming and heartbreaking at the same time. It's smart as hell and sad as hell, and if you don't leave thinking Adam Driver gave the best performance of the year, then I'm not sure we can be friends anymore. Sure, it's a little bit too long, and yes, it does feel more like a play than a movie, but this is closer to a masterpiece then the sum of it's flaws.

07. The Peanut Butter Falcon - If you know me at all, then you know I don't necessarily like "nice" movies. But The Peanut Butter Falcon is so goddamn likable that it is hard to not root for it in every sense of the word. It's a very Tom Sawyer / Huck Finn esque story about a mentally challenged teenager on the room from his group home and the troubled man he meets up with, who is running from something much more dangerous. Throw in the social worker with a heart of gold, and you've got yourself the makings of a really great, heartwarming, sweet drama, filled with beautiful moments, sad moments, exciting moments... basically everything you could want from a movie.

06. Ad Astra - Ad Astra is a essentially a space movie with daddy issues as Brad Pitt prepares to travel into deep space searching for his revolutionary astronaut father (Tommy Lee Jones) who may or may not be a persona non grata. Ad Astra is spectacularly filmed, and also terribly sad. It's a bleak drama with one of the most pulse pounding action set pieces of the year. It manages to feel both existential and larger than life, and wildly intimate at the same time. If you like your dramas slow, sad and pretty, then this one is for you.

05. Knives Out - This movie was essentially made for me and all of my particular interests. Agatha Christie esque plot? Check. Alfred Hitchcockian twists and turns? Check. Michael Shannon stealing every scene and being amazing? Yep! Chris Evans looking handsome in knit sweaters? Got that too! Rian Johnson's perfect genre dialogue? Check again. Knives Out is a fun, funny, big ensemble piece that is crowd pleasing and completely satisfying in every way. It's a must watch, whether you are a fan of the genre or not.

04. Parasite - I'm not sure what it is about Korean movies, but when they are good, they are so much better than almost everything else. Parasite is one of the best I've ever seen. It starts out as a sort of comedy of errors, a think piece about class and upward mobility. But it takes a twist and becomes about something else entirely, before ending in a way I never would have predicted in a million years. I don't want to write any more, give away any spoilers, but if you can handle subtitles, then this is a must watch.

03. Midsommar - Ari Aster is on a role. He gave us last year's fantastic Hereditary, and followed it up with this slow burn tragic gem. Hereditary may be a more accessible horror movie, but Midsommar is a more technical achievement. It follows a group of Americans, one grieving an inconceivable family tragedy, who go to Sweden where it's daylight for 24 hours a day, and they are celebrating their summer solstice. Things get creepy, and then creepier and then downright terrifying. Florence Pugh gives a killer performance and all I have to say about that ending is - good for her (in my best Lucille Bluth voice).

02. Little Women - Look at me, putting TWO nice movies in my top 10! That is called personal growth, I guess. But Little Women is the sort of movie where you have a non-stop grin on your face for the first half, and then you are constantly trying to be subtle while crying your eyes out in the second half. Director Greta Gerwig tells the story in a non-linear fashion which somehow makes it seem more modern. And this is the first adaptation I've seen where every single character is cast perfectly from leads to supporting, even changing the professor to a sexy Frenchman was a great idea. This is an instant classic retelling of an iconic book that has been famous for nearly 200 years for a reason.

01. Uncut Gems - The world is currently a trash place, but at least we are alive at the same time as the Safdie Brothers, who are unabashedly becoming my favorite directors. They are young and gritty and raw and they keep making movies like the rule breaker directors did in the late 60s and early 70s. Each movie they direct is better than the one before it, and Uncut Gems is so damn good, it's hard to believe how they will top it (although I'm sure they will find a way). If you had told me that Adam Sandler would star in my favorite movie of 2019, I would have laughed in your face, but he absolutely kills it as a jeweler who is going through some shit. Uncut Gems is basically a non stop roller coaster ride in which your heart is pounding the whole time. The intensity never once lets up and adrenaline will be coursing through your veins. I don't know how the Safdie Brothers manage to keep that pace for an entire movie, but they do it, and the finished project is a masterpiece.

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Friday, December 27, 2019

Best Lead Actor and Actress 2019

Lead Actor

05. Leonardo DiCaprio in Once Upon a Time in Hollywood - Maybe people don't take Leo seriously because of the whole teen idol / Titanic / dates exclusively 20 year old models thing. But besides all that, he is one of our best actors and best movie stars. His role as a washed up TV actor in Once Upon a Time, requires a movie star with superb acting chops, and he delivers. There is a long sequence that features his work on a Western and he is top notch in every single moment of that film. Plus, he's totally badass with a flame thrower.

04. Brad Pitt in Ad Astra - In Once Upon a Time in Hollywood, Pitt was charming and cool and tough. In Ad Astra, he is quiet and interior and sad. Both performances are extraordinary. Obviously, I prefer the quiet, pretty movie to the talky, loud movie. Like DiCaprio, Pitt is a rare breed - a movie star who is actually a great actor as well, hindered by his good looks a little bit, maybe. This beautiful and sad space movie is a slow, sad fever dream and Pitt nails it.

03. Adam Sandler in Uncut Gems - Look, I'm as surprised as you are. I wondered if my undying devotion to the gritty raw power of the directing Safdie brothers would outweigh my ambivalence bordering on disdain for Adam Sandler. The Safdie brothers manage to draw out a performance from Sandler that is so impressive, it may change the way you look at him. Honestly, Sandler kills it on a jeweler with a gambling problem who has a really, really rough few days. And if the fast talking, charm he oozes doesn't convince you he could give a heavy weight acting performance, just watch the expression on his face when he's watching his daughter in her high school play. Dude has been quietly hiding all this ability for decades.

02. Joaquin Phoenix in Joker - To this day, I cannot decide if I liked the movie Joker, or if I was just so blown away by Phoenix's performance, that it made me believe I saw a better movie than I did. Because Phoenix is THAT GOOD in this role. Between his physical transformation, and his quiet building rage, he delivers one of the knock out performances of the year. Heath Ledger may be a better Batman villain Joker, but Phoenix has to deliver in every single scene of the movie - and he does - giving a daring portrait of mental illness, all capped off with a stunning final showdown.

01. Adam Driver in Marriage Story - The saddest part of Marriage Story is the fact that Driver is going to lose his Best Actor Oscar to a guy playing a clown. Adam Driver is the kind of actor you can't take your eyes off of, ever since he stormed through the HBO series Girls, elevating that mess and becoming the only reason to watch it. Since then, he's become a bonafide movie star. He's excellent in everything, but in Marriage Story, he is perfect. He's playing a good man and a good father, who is just not a great husband, and he is perfection from the small intimate moments, to the big, huge fight scene, to singing sad songs from Company at karaoke. Give him all the awards!


Lead Actress

05. Awkwafina in The Farewell - Like Sandler, I never thought Awkwafina would be on a list for best acting, but 2019 was a weird year, and here we are. She's very funny, but in The Farewell she gets serious, as a Chinese artist living in America, who has to travel back to China after her beloved grandmother becomes terminally ill. Instead of telling the grandmother she is dying, the family stages a fake wedding as an excuse for everyone to return to China. The movie is heartwarming and sad and bittersweet and lovely, and Awkwafina carries it along on her shoulders as the most unwilling of participants. She's a revelation here.

04. Saoirse Ronan in Little Women - Every little girl growing up, reading Little Women a dozen times, wanted to grow up to be Jo - tough, resilient, smart, but also stubborn, lonely, quick to anger, unwilling to fall in love (even with the super cute boy next door). Jo, like all the March sisters, is a complicated woman. She's not just one thing, refusing to succumb to her destiny to be the romantic heroine of her life story. She wants more than that in a time when women didn't get that chance very often. Ronan - who is arguably the best actress of her generation - nails it all, from the cockiness to the neediness, from the strength to the sadness. She's the perfect Jo, and she makes it all look easy.

03. Lupita Nyong'o in Us - If you haven't seen Us, I urge you to do so as soon as possible. It gets a little weird, but if you give in to the weirdness, it definitely pays off. And a big part of why you should watch it is this women right here, who gives a stunning, high wire act like performance as two separate characters - a hard working, constantly worried, tough mom... and her wild eyed untethered counter part, a character who only communicates in guttural sounds and animalistic movements. It's a pleasure to watch an actor be so fearless on screen.

02. Florence Pugh in Midsommar - Let's rename 2019 as the year of Florence Pugh. She elevated spoiled brat Amy March to someone almost likable in Little Women, and she embodied the overwhelming nature of grief in Midsommar. From start to finish, it appears as though she went through hell for her Midsommar performance, and she is stunning in every frame. From grieving and unsure little girl, to the queen who rides alone at the end, and everything in between, there isn't a false note. I don't know what it is about director Ari Aster, but he has a knack from getting career best performances from his leading ladies (see also: Toni Collette in Hereditary).

01. Elisabeth Moss in Her Smell - Like Pugh, Moss gave two killer performances this year. The second, the better of the two, is as a former junkie and self-destructive rock star, trying to make a comeback. I didn't love the movie - I thought it was too long and bordered on indulgence, but Moss is amazing. She is relentless, raging through the movie with an all-encompassing manic energy, devouring every inch of the screen. Even if the movie around her isn't great, you can't take your eyes off of Moss.

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Thursday, December 26, 2019

Best Supporting Actor and Actress 2019

Supporting Actor

05. Tracy Letts in Ford v Ferrari - It should come as no surprise that I think Tracy Letts is a national treasure, not only as a playwright, but also as an actor. After his layered, heart-warming performance as Lady Bird's dad two years ago, he should (FINALLY) be on everyone's radar. Ford v Ferrari tries to get by on the movie star charisma of Christian Bale and Matt Damon, and it mostly does, but Letts - as Henry Ford II - steals every scene that he is in. His crowning moment is the range of emotion he portrays in a single scene - being driven in a race car for the first time. It's a masterclass in acting and a pleasure to watch.

04. Timothee Chalamet in Little Women - Thank goodness we were blessed with a Little Women retelling when Timothee Chalamet is the perfect age to portray romantic leading man Laurie, because he is effortlessly perfect for the role of lovesick boy and charming, drunken, womanizing (as much as you can be those things in a family movie) young romantic suitor. With his delicate beauty, and endless talent, he mesmerizes as Laurie, and makes it look easy. The entire movie is cast so well, but Chalamet is utterly perfect for this role. He has one great, big scene, that is impressive, but it's the little moments - the under the breath comments, the flirtations - that really make this character.

03. Jonathan Majors in The Last Black Man in San Francisco - As a sensitive artist, Majors breaks out in a big way in The Last Black Man in San Francisco, one of the most underrated, must-see movies of the year. He's quiet and watchful for the majority of the movie, but has a truly impressive, big scene near the end, which will change the way you look at him and the movie. Keep your eye on him, because he's going to be huge.

02. Song kang-ho in Parasite - The entire ensemble of Korean thriller Parasite is truly impressive, but it's Song kang-ho who steals the movie in a big way. As a down on his luck father, fighting to make a buck to help his family, he saunters on to every frame like he's Korea's answer to Daniel Day-Lewis. By the time you get to THAT TURNING POINT and that AMAZING ENDING, you won't be able to stop thinking about him or his performance.

01. Brad Pitt in Once Upon a Time in Hollywood - Let's call 2019, the year I finally started loving Brad Pitt. And Once Upon a Time in Hollywood - and his killer tough, cool guy performance - is one of the many reasons. Is anyone more effortlessly cool than Brad Pitt in this movie? He's a stunt man and personal driver to a movie star who gets mixed up with the Manson family, all while kicking ass. And did I mention the "fixing the roof shirtless scene"? Because, Jesus, he's beautiful.


Supporting Actress

05. Juliette Binoche in High Life - I'm not sure I can recommend High Life as a movie. Sure, it's got a really great twist ending, but it's also slow and long and not exactly fun to watch. But if you are looking for the ballsiest, gutsiest, most daring, out there performance of the year - look no further than Juliette Binoche, who absolutely kills it as a controversial scientist. She is remarkable to watch.

04. Jennifer Lopez in Hustlers - I wanted to watch Hustlers mostly to see if Lopez is as good as everyone on Twitter says she is... and she is. From doing sexy strip dances to Fiona Apple songs, to playing mama bear to a bunch of wayward strippers, to seducing and destroying the lives of men - she drips and oozes with unabashed movie star magnetism and sex appeal. I firmly believe no one else in all of Hollywood could have played Ramona, the stripper with NO heart of gold, better than Lopez.

03. Elisabeth Moss in Us - The first time we see Elisabeth Moss in Us, she is little more than a cliche - spoiled rich wife and mother who has a subtle disdain for her husband and spoiled brat twins. The next time we see Elisabeth Moss in Us, she is an absolute force to reckon with. I think Moss is one of the most gifted and exciting actresses to watch right now. From stealing the entirety of Mad Men away from Jon Hamm, to her next level work on Handmaid's Tale, she has been the queen of television of the 2000's. Hopefully, soon she will be a movie star, too.

02. Florence Pugh in Little Women - Justice for Amy! In every other adaptation of Little Women, Amy has been portrayed as a one dimensional brat, spoiled and unlikable. But with this retelling, we finally get a layered portrait of Amy - a complicated girl living in a complicated time, struggling with sibling rivalry and trying to marry rich to save her poor family. Pugh makes Amy tough, and yes, a little snotty, but she brings such a vivacity to her performance, that you see the tender and loving side too. Being a woman - and a sister - is complicated, not just black or white - likable or unlikable - and Pugh knocks it out of the park.

01. Laura Dern in Marriage Story - Laura Dern took a little time away from being the only good thing about season two of Big Little Lies to give a bat out of hell performance in Marriage Story. As a savage, killer divorce attorney she manages to be kind and killer, polite and deadly, sweet and savage all while wearing killer heels. If she didn't have your vote for Best Supporting Actress before the trial scene, that will seal the deal. Dern is a national treasure and kills it in every moment of this movie.

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Monday, December 23, 2019

2019 Yearly Wrap Up

The best in acting and film is coming, but first...

MVP
Elisabeth Moss - Killing it as a leading lady in Her Smell, stealing scenes in Us, being the best thing about the terrible The Kitchen, and let's not forget The Handmaid's Tale, her crowning achievement.
Runner Up - Brad Pitt - The one two punch of Ad Astra and Once Upon a Time in Hollywood is enough, but he also produced one of my favorite movies of the year, The Last Black Man in San Francisco.

Best Director
Ari Aster - Midsommar
Runner Up - Bong Joon-Ho - Parasite

Best Ensemble
Knives Out
Runner Up - Once Upon a Time in Hollywood

Best Poster
Parasite
Runner Up - Midsommar

Best Scene Stealer
Toni Collette - Knives Out
Runner Up - Billie Lourd - Booksmart

Best Kiss
Adam Driver and Daisy Ridley - Star Wars: The Rise of Skywalker
Runner Up - Beanie Feldstein and Skylar Gisondo - Booksmart

Best Chemistry
Beanie Feldstein and Kaityln Dever - Booksmart
Runner Up - Shia LaBeouf and Zack Gottsagen - The Peanut Butter Falcon

Best On-Screen Duo
Beanie Feldstein and Kaitlyn Dever - Booksmart
Runner Up - Brad Pitt and Leonardo DiCaprio - Once Upon a Time in Hollywood

Best Dance Sequence
Jennifer Lopez - Striptease to Fiona Apple's Criminal in Hustlers
Runner Up - Beanie Feldstein and Kaitlyn Dever's pre-school jam in Booksmart

Best Musical Sequence
Adam Driver sings Being Alive from Company in Marriage Story
Runner Up - Kaitlyn Dever sings You Oughtta Know in Booksmart

Best Song
Glasgow (No Place Like Home) from Wild Rose
Runner Up - Control from Her Smell

Best Score
Midsommar
Runner Up - Us

Best Action Sequence
The fight at the Continental in John Wick 3
Runner Up - Leo and the flamethrower in Once Upon a Time in Hollywood

Best Fight Scene
Kylo Ren vs. Rey lightsaber fight on the wreckage of the Death Star in Star Wars: The Rise of Skywalker
Runner Up - John Wick vs. Zero in John Wick 3

Best Car Chase
Knives Out
Runner Up - John Wick 3 motorcycle chase

Most Cathartic Moment
Brad Pitt takes out the Manson Family in Once Upon a Time in Hollywood
Runner Up - Julianne Moore paintballs the house of a f**kboi in Gloria Bell

Breakthrough Performance
Julia Butters - Once Upon a Time in Hollywood
Runner Up - Samara Weaving - Ready or Not

Best Comedic Performance
Beanie Feldstein - Booksmart
Runner Up - Kaitlyn Dever - Booksmart

Best Hero
Iron Man - Avengers: Endgame
Runner Up - Rey, Finn and Poe - Star Wars: The Rise of Skywalker

Best Villain
Palpatine - Star Wars: The Rise of Skywalker
Runner Up - SPOILER ALERT in Knives Out

Best Badass
Brad Pitt in Once Upon a Time in Hollywood
Runner Up - Keri Russell in Star Wars: The Rise of Skywalker

Best Pet
Brandy - Once Upon a Time in Hollywood
Runner Up - Goose - Captain Marvel

Best Opening Sequence
Pre-credits in Midsommar
Runner Up - Hawkeye and the snap in Avengers: Endgame

Best Ending
Birthday party in Parasite
Runner Up - That smile in Midsommar

Best Single Scene
Fight scene in Marriage Story
Runner Up - The flood in Parasite

Saddest Moment
The last 15 minutes of Love, Antosha
Runner Up - Literally all of Marriage Story

Most Bonkers Movie
Good Bonkers - Us
Bad Bonkers - Under the Silver Lake

Best Cinematography
Midsommar
Runner Up - Once Upon a Time in Hollywood

Best Costumes
Flower dress from Midsommar
Runner Up - 60s style from Once Upon a Time in Hollywood

Best Original Screenplay
Marriage Story
Runner Up - Knives Out

Best Adapted Screenplay
Hustlers
Runner Up - Gloria Bell

Best Quote
"I give amazing hand jobs AND I got a 1540 on the SAT." - Booksmart
Runner Up - "What's rule number one?" "Party!" - The Peanut Butter Falcon

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