Red Riding Hood

My major problem with any negative reaction to this film by the audience is the following: "Well, it's just like Twilight." No, actually it isn't and if you are going to use that as your argument, then it's an invalid argument with me. Why is it just like Twilight? Because of the sweeping nature-focued cinematography? That's because it was directed by the same person who directed Twilight (Catherine Hardwicke) and she was doing that way before Twilight. So, if anything, Twilight is the way it is because she directed it, not the other way around. Is it because there is a love triangle, or a teenage centric story? Well, guess what? Teenagers spend money, so of course people are going to make movies aimed at them. And the love triangle is as old as movies themselves. Is it because it's about werewolves? So was Teen Wolf but no one is saying that's "like Twilight."
No, if you have a problem with Red Riding Hood, make sure you use a viable argument such as, the hokey dialogue, the unbelievable chemistry, or the lack of any real love triangle in a love triangle plot. There are problems with Red Riding Hood, for sure, but the least of them is appearing too much like Twilight. However, as far as guilty pleasure movies go, Red Riding Hood isn't so bad, especially when you approach it in two ways: 1) It's not going to be the best movie of 2011, okay? So, just have fun. 2) Think of it as a murder mystery / whodunit.
Red Riding Hood is a reimagining of the classic fairy tale but the "Little" part is dropped because our protagonist (Amanda Seyfried as Valerie) is all grown up. The story takes place long ago and far away in a little village where a werewolf is terrorizing the people on every full moon. However, the beast left them in peace for ten years. Now he's back on a blood moon, which means one bite from the werewolf will turn the victim into a wolf as well. Our lovely blonde, big eyed Valerie is caught in a love triangle... or at least, that's what the movie wants you to think. She's in love with Peter (Shiloh Fernandez), an orphaned wood cutter who is a little bit of a bad boy, but is being forced to marry Henry (Max Irons) who she doesn't care about at all. No offense to the screenwriter but a love triangle only exists if there is a push-and-pull between two different lovers. Valerie wants nothing to do with Henry and that doesn't lead to a whole lot of drama. Sure, she loves Peter but you could at least play around with the possibility of her falling for a nice guy like Henry. Not to mention, there is absolutely no chemistry between Seyfried and either of her handsome leading men.
Although the younger cast members have no chemistry, the cast is not something anyone can complain about really. It's quite impressive. Seyfried is perfectly cast as the damsel in distress. Fernandez and Irons are both good enough, and easy on the eyes, which certainly helps make up for any talent they may or may not lack. Virginia Madsen and Billy Burke play Valerie's worrisome parents and Julie Christie gives the whole movie a bit of class by playing the iconic grandmother. Lukas Haas is the town priest who is in so over his head that he calls in a legendary werewolf fighting preist - Father Solomon, who is played with particular zest and haminess by Gary Oldman. Look, at least he's having fun! Oldman struts into this movie with all kinds of swag. He's funny and a little bad ass, and a little crazy but it totally works and he definitely is the best actor in this movie (or at least, he gets the juiciest role). He's aware of what this movie is - not some kind of self-serious movie that will a ton of awards. But, at the very least, it's a fun ride and a decent way to spend two hours on a cold and dreary winter's afternoon.
Grade: C-

Top Ten List: Best Actress of the Decade

10. Hillary Swank in Million Dollar Baby (2004) - My position on Swank is probably known by now. I'm not her biggest fan. However, good acting is good acting and you can't deny she's incredible in this film. I can't say its her best work (I still love her Boys Don't Cry performance) but she has moved past acting with this role. She simply exists in her character and it's great to watch.

09. Ellen Page in Hard Candy (2005) - Two years before Juno, there was Hard Candy. Page was something like 17 or 18 when she filmed this movie and she manages to give a master's class in acting, delivering a performance so layered and subtle that actors twice or three times her age had to be crazy jealous of her undeniable talent.

08. Julie Christie in Away From Her (2007) - It was the Oscars in 2008 and Julie Christie was flat out robbed by Marion Cotillard in a performance that I can barely even remember. Christie, however, has stuck in my mind, managing to be, dare I say, unforgettable as an Alzheimer patient. Beautiful and tragic, Christie is divine.

07. Michelle Williams in Wendy and Lucy (2008) - Quite possibly the most underrated performance of the year (or maybe even the decade), Williams commands the screen in this slow, bittersweet indie film about the friendship between a woman and her dog on a cross country road trip. Williams is so perfect as a lonely woman who has managed to fall between the cracks; a good person who society has managed to forget about.

06. Naomi Watts in 21 Grams (2003) - Watts has always been a good actress, but she's simply great here. Not only is she remarkably belieavable as a suffering widow but she brings so much gut wrenching emotion to her performance. The movie is presented so strongly out of context and that decision simply makes the performances that much more powerful, especially by Watts who shines as part of a truly impressive ensemble.

05. Ellen Burstyn in Requiem for a Dream (2000) - Quite possibly the most depressing movie I have ever seen and part of that is thanks to Burstyn's killer performance. There's no sugar coating this tale of addicts with Burstyn starring as a sweet Jewish wido who almost unknowingly becomes addicted to prescription diet pills that help her lose weight but plunge her into a terrifying world of paranoia and hallucinations.

04. Meryl Streep in The Devil Wears Prada (2006) - I was going to pick her Doubt performance but let's face it. Meryl can do that kind of thing in her sleep. What impressed me so much about The Devil Wears Prada is Meryl's ability to prove she really can do anything at all, including taking a co-starring role, turning it into a terrifying amalgamation of Cruella DeVille and Anna Wintour and proving that she can be one of the most bankable movie stars in the world. And this is why Meryl Streep is queen. That's all.

03. Helen Mirren in The Queen (2006) - Mirren doesn't merely play Queen Elizabeth II, she becomes Queen Elizabeth II. Her performance is simply superb. Thanks to Mirren, the Queen comes off as complicated and reserved, cold and yet jarringly open. Mirren manages to take this Queen who seems so closed up and larger than life and make her human. The performance is as fascinating as it is entertaining.

02. Nicole Kidman in Moulin Rouge! (2001) - There are times when Kidman comes off as a reserved, closed up actress. But in Moulin Rouge! she is sexy, warm, stunning, loveable, and even a little goofy. Kidman has never been better than playing the born entertainer Satine. From those intricate, lavish and slightly twisted musical numbers to her electrifying chemistry with Ewan McGregor, Kidman is simply - Spectacular, Spectacular!

01. Kate Winslet in Eternal Sunshine of the Spotless Mind (2004) - Eternal Sunshine is easily the most original love story of the decade and Winslet, who is brilliant in EVERYTHING, doesn't disappoint with her performance here. She plays a woman who craves attention as much as she craves intimacy. She is a little mean but totally loveable. She is a jumble of paradoxes and it's easy to see why anyone would fall madly in love with her. She even manages to be funnier than Jim Carrey. I would only want to erase her and this performance from my memory so I can experience it again for the first time. Simply brilliant.

Best of 2007 - Top 10 Best Performances

Javier Bardem in No Country For Old Men
I'm doing this list in alphabetical order to be fair. However, if I was going to start with the best performance of the year, Bardem would still be first. [Granted I haven't had the chance to see Daniel Day-Lewis in There Will Be Blood.] Bardem gives a truly deliciously evil performance. He is a pleasure to watch. Every time he enters the scene, you are excited and sort of terrified to see what he'll do next. From the opening scene right up until his last, he's just simply perfect.

Cate Blanchett in I'm Not There
Again, I'm doing this alphabetically. Still, Cate would be second. She disappears into the character of Jude Quinn (Bob Dylan) and all the ticks and stutters. It's actually almost a little creepy to see this gorgeous Australian woman become a man and make it look so effortless. I'm not one of those people who are in love with everything Blanchett does. But I am in love with this performance.

Josh Brolin in No Country For Old Men
If Javier Bardem didn't steal this movie in every single way imaginable, you would definitely leave the theater talking about how great Brolin is. Brolin is essentially carrying the bulk of the film on his shoulders and he's more than up for the challenge. This year he's finally been given roles that let his talent shine through.

Julie Christie in Away From Her
Is it wrong to say that Christie's performance is just unforgettable? It's been months and months and everything about her performance is still burned firmly into my mind. Christie gives a performance even better than her Oscar winning role in Afterglow. She has the vibrancy of a young woman and is sexier than most women half her age. Her performance is perfect and I, for one, will be very disappointed if she loses the Oscar.

Emile Hirsch in Into the Wild
Hirsch's career is one I've been following for a while now. Watch films like Imaginary Heroes and The Mudge Boy and you'll see what a great actor he really is. Still, Into the Wild is the sort of movie that lets his real talent come out in full force. Hirsch has charm to spare and uses tha to help build this supertramp character who doesn't think he needs human contact for happiness. Plus, his final moments on screen are guaranteed to break your heart.

Tommy Lee Jones in No Country For Old Men and In the Valley of Elah
Jones is doing better work this year, at the age of 50-something, than ever before. His performances this year were both spot-on. His performance in In the Valley of Elah would fall to number three on this list if it was from very best to still great. What kills me most? He's not even getting a lot of attention for these great roles! Sure, he's not used a lot in No Country For Old Men and he's showed up a bit by Bardem who has the flashier role. But there's something to be said about restraint and reserve. There's something to say about being the strong, silent type. Jones is just doing better work now than ever before.

James McAvoy in Atonement
There's a lot of great women in this film but McAvoy steals the show. His performance is really a masterclass in the act of subtlety. He makes sure Robbie keeps his basic goodness and never resorts to histronics. There is a particular scene between Robbie and Briony as a teenager, that is just perfection.

Viggo Mortensen in Eastern Promises
I just have to respect and admire anyone who has the guts to film a scene that includes a naked knife fight. I mean, come on. He manages to make Nikolai both enigmatic and mesmerizing. He is seemingly rough and tough and yet we are somehow drawn to the goodness in him even as we are not quite sure we should be. It's a skillful and understated performance that quietly but effectively blows you away.

Ellen Page in Juno
I think it's safe to say this: Ellen Page is the best actress under 25 working today. First there was her acting masterclass of a performance in Hard Candy. Now with Juno she even bests that. She does something I think Diablo Cody should be grateful for: makes her highly / overly WRITTEN dialogue just flow and come off the page beautifully (which must have been a DIFFICULT challenge). Thanks to Page's perfection of a performance, it becomes almost impossible to not love this movie and especially the main character.

Michael Shannon in Bug
This movie is definitely not for everyone. Still, months and months later, it's Shannon's intense work that sticks so firmly in my mind. He takes this outlandish performance and is really just fearless. His chemistry with Ashley Judd (who slipped to number 11 on this list) is so intense that these two actors carry this film. Shannon, especially, is perfect and draws you in to this strange, psychological little story.

Away From Her, The Brave One

Away From Her - There's quite a few female performances that I've loved this year so far: Christina Ricci's fearless work in Black Snake Moan, Keri Russell's adorable/hilarious acting in Waitress, and Ashley Judd's perfection of a performance in Bug. But, I think the one performance that might actually get nominated for an Oscar is Julie Christie in Away From Her. She plays an Alzheimer's patient with such ravishing beauty and emotion. The fim follows her and husband Grant (Gordon Pinsent - more about him in a minute) of 44 years as they struggle with this sudden disease and how it affects their life together. This movie was written and directed by actress Sarah Polley and all I can say is, wow, what an emotional impact of a film coming from someone so young and so inexperienced as a director. This movie is actually quite surprising. The direction is simple and confident. The pace is slow and purposeful. We get to know and love these characters. At the core of the film is the tragic and powerful love story between Grant and Christie's Fiona. They've dealt with Grant's infidelity 20 years earlier and now are dealing with Fiona's dimentia. We watch Grant become the man he always wanted to be as Fiona slips farther and farther away from him. We also watch the fine line he walks as he realizes there are certain things that he must do to make her feel better that will just rip his heart into a million pieces. It's actually sort of a shame that Christie will probably be the one to the get the Oscar nomination come January. Not really a shame I guess, because Christie is just breathtaking to watch. But, really, Pinsent' portrayal of Grant is sterling as well. Pinsent is loving and adoring but also bewildered, stubborn and hopeful. Despite his frustration, he is constantly searching for understanding and resolve for the memories he has difficulty letting go of. It's all in his eyes. He's simply marvelous. And then there is Olympia Dukakis who has a small but crucial role as Marian. She's tough and smart, the wife of a man suffering from Alzheimers, who has accepted the fact that she really needs to just be happy. She should get nominated as well! Really, the film is just wonderful and one that will not easily be forgotten. Sarah Polley shows wonderful restraint and promise as a director. This film is a little bit tragic, a lot heartbreaking, but ultimately beautiful.

Grade: B+

The Brave One - Away From Her and The Brave One have only one thing in common: come February, the stars of these movies will probably be frontrunners for Best Actress at the Oscars. While Julie Christie and Jodie Foster might be battling it out then, the movies couldn't be more different. And choosing a better movie between these two is simple. Away From Her has more soul, emotion, heartache and beauty in 5 minutes than The Brave One has in the whole two hours. The Brave One doesn't exactly start out badly. In fact, the beginning is pretty damn good. But it progressively gets worse and worse until, at the end, it just completely falls apart into a pile of crap. As I said, The Brave One stars Jodie Foster as Erica Bane, a New York City DJ who, at the beginning, is happy and in love with her fiancee David, played by Lost star Naveen Andrews. But a random act of violence cuts their happy life together far too short when the lovers are beaten by some punks in Central Park. David dies. Erica lives... but her life is changed forever. Her life is overtaken by a fear of absolutley everything. She's afraid to leave the house. She's afraid of the footsteps she hears behind her. She's afraid of shadows and noises and just everything. So what does she do? Buys a gun. But she doesn't immediately seek revenge on the men who beat her fiancee to death. Instead, she turns vigalante and starts shooting people who are doing bad things in the city: murdering and robbing and raping. Some people think the Vigalante Killer is a blessing in disguise. Cops Terrence Howard and Nicky Katt disagree. Erica herself is torn up inside. After she kills for the first time, she walks with a new kind of swagger, cockiness and confidence. But, soon after she kills again she is throwing up in a bar bathroom and crying and wanting to turn herself in. It's Foster's relentless and fearless performance that keeps this movie alive. She's amazing to watch. She always has been and she always will be. She's got those beautiful blue eyes that just turn to steel when she needs them to. She's tough and she's icy, but completely vulnerable all at the same time. And she makes it look easy. She makes it look easier than easy. Her performance here will be nominated for an Oscar, for sure. There is no doubt in my mind. And she deserves it. It's just a shame that the movie around here couldn't be as good as she is. It's almost as if the screenwriter knew he had a solid first act and decided to sleepwalk his way through the rest of the script. The dialogue just becomes laughable. Howard holds his own with Foster and Katt breathes some much needed comedy into the whole thing but all of the other supporting actors just aren't up to par. By the time the ending comes around, you're tired and you're bored and you know what's going to happen. It's no surprise. And worst of all, the ending isn't even done well! It's a shame because Jodie really does deserve a better movie around her.

Grade: D+