Lincoln

Everything I have heard about Lincoln thus far has been overwhelmingly positive. People are calling it the best movie of the year, and a masterpiece. While I liked the film, I wouldn't go that far. For the most part, for me, Lincoln is merely an acting showcase for some of the best performances of the year.

Steven Spielberg's Lincoln follows about a month in his life after he's been reelected for his second term and when he's trying to get the 13th amendment (abolishing slavery) passed through the House of Representatives. What follows is a beautifully acted, well directed movie in which every character actor you can think of talks and talks and talks and talks and talks and talks (and then talks some more!) for two and a half hours. These characters give speeches and tell anecdotes and three scenes later someone very long windedly reiterates exactly what a different character has said already. But the glacial pace and ridiculously long dialogue scenes weren't even my biggest problem with the film. My biggest problem was this: when you think about Abraham Lincoln, arguably the greatest president in history, what are two things you think about immediately. Your answer will most likely include The Gettysburg Address and his assissination. This movie shows you neither. You can argue that the movie focuses on that month long period, and that's fine. But the movie does give you the Address and his death (in a way) without showing either, and I think that's a cop out. Like my boyfriend said, it would be like watching a three hour movie about the Titanic and then having it end with some old white guy saying, "Oh, well, the ship sank." After we already sat through a movie with no action to speak of, at least give us something!

Spielberg is considered the greatest living filmmaker, but he's never been one of my favorites. I will say that I unabashadly love two of his films - Jaws and Schindler's List. There are moments of greatness in this film, like many of his other films. Two particular scenes that come to mind, are a beautifully shot Lincoln standing in front of a window while talking to his wife, and Lincoln's son Robert (Joseph Gordon-Levitt, all but wasted in a small and fruitless role) following a wheel barrow of body parts near the end. Both of those scenes stand out as being closer to art than movie making. But, for the most part, this is a long-winded and flawed historical epic (which means it will win all kinds of Oscars).

The saving grace here are the performances. Daniel Day-Lewis, who is the greatest living actor, becomes Abraham Lincoln to the point where it is a little scary. It's uncanny how much he looks like the great man, especially in profile. I think he's well on his way to winning a third Oscar because his performance is that good and natural. I had no problem beliving that this was actually President Lincoln. And the great thing about this performance is how different it is from his last Oscar winning role in There Will Be Blood. That performance was loud and bombastic and showy. His Lincoln is refined and subtle, a beautifully powerful performance. It's hard to think of any actor stealing the show from Day-Lewis, but co-star Tommy Lee Jones very nearly does. One can argue that this is just another wise cracking version of every character he's ever played before. But, I disagree. He is responsible for the single greatest scene in the movie and if that scene in his office near the end isn't his Oscar nominee clip, then I don't know what to say. The final member of the trifecta is Sally Field. All I know about Mary Todd Lincoln is that she was supposedly crazy, but Field makes her so much more complicated. Instead of a crazy lady, she's a woman grieving for a lost son and trying to live with a man who is beloved by everyone.

The most fun part of Lincoln, however, is playing Spot the Character Actor. Between this movie and Argo, I think every character actor working in Hollywood had a job for at least a few weeks. In Lincoln, the great supporting cast includes David Strathairn, James Spader, Hal Holbrook, John Hawkes, Jackie Earle Haley, Bruce McGill, Tim Blake Nelson, Lee Pace, Jared Harris, Lukas Haas, Dane DeHaan and more.

So, while Lincoln is being hailed as a masterpiece, I tend to disagree. It's a good movie, that's for sure, and the three main performances are so stellar that they definitely deserve Oscar nominations (to say the least). However, Lincoln, for me, didn't live up to the hype.

Grade: B-

Best of 2007 - Top 10 Best Performances

Javier Bardem in No Country For Old Men
I'm doing this list in alphabetical order to be fair. However, if I was going to start with the best performance of the year, Bardem would still be first. [Granted I haven't had the chance to see Daniel Day-Lewis in There Will Be Blood.] Bardem gives a truly deliciously evil performance. He is a pleasure to watch. Every time he enters the scene, you are excited and sort of terrified to see what he'll do next. From the opening scene right up until his last, he's just simply perfect.

Cate Blanchett in I'm Not There
Again, I'm doing this alphabetically. Still, Cate would be second. She disappears into the character of Jude Quinn (Bob Dylan) and all the ticks and stutters. It's actually almost a little creepy to see this gorgeous Australian woman become a man and make it look so effortless. I'm not one of those people who are in love with everything Blanchett does. But I am in love with this performance.

Josh Brolin in No Country For Old Men
If Javier Bardem didn't steal this movie in every single way imaginable, you would definitely leave the theater talking about how great Brolin is. Brolin is essentially carrying the bulk of the film on his shoulders and he's more than up for the challenge. This year he's finally been given roles that let his talent shine through.

Julie Christie in Away From Her
Is it wrong to say that Christie's performance is just unforgettable? It's been months and months and everything about her performance is still burned firmly into my mind. Christie gives a performance even better than her Oscar winning role in Afterglow. She has the vibrancy of a young woman and is sexier than most women half her age. Her performance is perfect and I, for one, will be very disappointed if she loses the Oscar.

Emile Hirsch in Into the Wild
Hirsch's career is one I've been following for a while now. Watch films like Imaginary Heroes and The Mudge Boy and you'll see what a great actor he really is. Still, Into the Wild is the sort of movie that lets his real talent come out in full force. Hirsch has charm to spare and uses tha to help build this supertramp character who doesn't think he needs human contact for happiness. Plus, his final moments on screen are guaranteed to break your heart.

Tommy Lee Jones in No Country For Old Men and In the Valley of Elah
Jones is doing better work this year, at the age of 50-something, than ever before. His performances this year were both spot-on. His performance in In the Valley of Elah would fall to number three on this list if it was from very best to still great. What kills me most? He's not even getting a lot of attention for these great roles! Sure, he's not used a lot in No Country For Old Men and he's showed up a bit by Bardem who has the flashier role. But there's something to be said about restraint and reserve. There's something to say about being the strong, silent type. Jones is just doing better work now than ever before.

James McAvoy in Atonement
There's a lot of great women in this film but McAvoy steals the show. His performance is really a masterclass in the act of subtlety. He makes sure Robbie keeps his basic goodness and never resorts to histronics. There is a particular scene between Robbie and Briony as a teenager, that is just perfection.

Viggo Mortensen in Eastern Promises
I just have to respect and admire anyone who has the guts to film a scene that includes a naked knife fight. I mean, come on. He manages to make Nikolai both enigmatic and mesmerizing. He is seemingly rough and tough and yet we are somehow drawn to the goodness in him even as we are not quite sure we should be. It's a skillful and understated performance that quietly but effectively blows you away.

Ellen Page in Juno
I think it's safe to say this: Ellen Page is the best actress under 25 working today. First there was her acting masterclass of a performance in Hard Candy. Now with Juno she even bests that. She does something I think Diablo Cody should be grateful for: makes her highly / overly WRITTEN dialogue just flow and come off the page beautifully (which must have been a DIFFICULT challenge). Thanks to Page's perfection of a performance, it becomes almost impossible to not love this movie and especially the main character.

Michael Shannon in Bug
This movie is definitely not for everyone. Still, months and months later, it's Shannon's intense work that sticks so firmly in my mind. He takes this outlandish performance and is really just fearless. His chemistry with Ashley Judd (who slipped to number 11 on this list) is so intense that these two actors carry this film. Shannon, especially, is perfect and draws you in to this strange, psychological little story.

Enchanted, No Country For Old Men, December Movie Preview

Enchanted - Remember when Disney used to make good movies like Cinderella, Sleeping Beauty, Snow White, Beauty and the Beast, The Little Mermaid? Well, they haven't completely lost their touch. Not only is Enchanted, well, enchanting (yeah, with a name like that, they are just asking for it) but also it takes you back to the golden day of Disney films which were full of evil witches, pretty maidens, poison apples and scary dragons. Enchanted is the perfect blend of animation and live action which makes it's story telling a throw back to old school classics while still feeling fresh and unique. The pretty maiden Giselle (Amy Adams) falls in love with Prince Edward (James Marsden) but when his evil step mother Queen (Susan Sarandon) finds out, she sets a trap that sends Giselle to a place where happily ever after doesn't exist - New York City. Prince Edward follows to find his one true love and, well, many a comedic thing happens. While in the Big Apple, Giselle meets a cynical New Yorker named Robert (McDreamy... I mean, Patrick Dempsey... I wonder how Dempsey feels to know there are people out there - me in particular - who only refer to him as McDreamy? That's probably weird, huh?) who she eventually falls in love with eventhough he has a super awesome girlfriend named Nancy who is played by none other than one of my lady crushes Idina Menzel. All hail Idina!!! Sorry, that's a bit off track, yes? Anyway, that's enough plot. There's a lot of singing and dancing and lots of animals and dress making. This movie is really the definition of "light entertainment." It's really such a perfect family movie. I'm a cynical bitch and I even liked the goddamn thing! The casting is just perfect. While McDreamy is not necessarily my type (I'll take McSteamy, thanks), so many women are in love with him that he really makes such a perfect modern day Prince Charming. Susan Sarandon was more or less born to play an evil stepmother / bitchy queen. I just wish she had more screentime. Unfortunately, she was usually animated or in dragon form. If they would have given her a meatier role, she would have been simply divine. James Marsden is absolutely hilarious and perfect. I'll take him over McDreamy ANYDAY! He's just brilliant. I can't really even describe what makes him so perfect for this role but he just is. You'll have to see it to understand. The same can be said for Miss Amy Adams. I think she's going to become huge thanks to this movie. Also, frontrunner for Best Actress Oscar much? My money is on her. She's simply perfect. Her perfection is just almost beyond words. No one else could have possibly played this part but her. She's simply divine. She's finally becoming the star she should have become after her great turn in Junebug. She's at this weird Julia Roberts / Julie Andrews place in her career right now. I say good for her. Anyway, the film is really just great so check it out!

Grade: B

No Country For Old Men - It's very hard for me to review this movie. It almost doesn't really seem like a movie to me. It's more than a movie. It's better than a movie. It's almost like a piece of art, amazingly beautiful. You just want to stand and look at it for hours and hours. The Coen Brothers have definitely crafted a masterpiece here. They knock it out of the park with this violent, pretty western drama. No Country For Old Men is slow-moving and character driven. It's violent and bloody and absolutely beautiful. There's humor aplenty but it is definitely a tough and gritty story. This is a thriller that doesn't disappoint or skimp on the thrills. Javier Bardem gives the absolute best performance of his career (of the year? ...so far). His portrayal is one of unrelenting evil, true derangement. It's a performance about a human being with no humanity. It's one of the greatest psychopathic characters ever captured on film. Yes, ever. The greatest thing about his character is that he is absolutely not cliched in the tiniest way. It's a character whose lunacy and craziness you can enjoy. It's a frightening, terrifying, masterful performance. I felt absolutely nervous and excited every time he graced the screen. Josh Brolin is great as well. He's really had a great year since he was also impressive in Grindhouse / Planet Terror. If Bardem didn't steal this movie in every way possible, you'd surely spend more time talking about Brolin's great performance. Then there's Tommy Lee Jones (who is not too old to be one of my movie star boyfriends). He isn't used much but he's used well. His scenes pepper the movie and add a great understated effect. He's also had a hell of a year with this performance along with his great turn in In the Valley of Elah. Then there's Kelly MacDonald. If it's a slow year in the Best Supporting Actress race (but, really, with all those Atonement women, how could it be?), she could sneak in there. Her final scene on screen is just a revelation to watch. The cinematography (by Roger Deakin) is breathtaking. There are scenes in this movie which are just up there with the best scenes I have ever seen in a film. There is one scene featuring Bardem in a gas station which has little to do with the actual plot development but which is still just a pleasure to watch. I'm not going to talk plot at all because it's better if you go into something like this knowing as little as possible. Be prepared for it to be slow-paced and violent. That's all you need to know. Other than the fact that it's one of the two best movies of the year (unless December REALLY wows me). It's just a masterpiece.

Grade: A+

December Movie Preview

December 5 - Juno hits New York and Los Angeles. At this point, I am tempted to drive to New York just to see this movie. I won't... but that's how much I want to see it. Ellen Page, Jason Bateman, Michael Cera, Allison Janney... my god. This movie looks fantastic.

December 7 - Atonement starts it's limited release. It looks like my kind of love story - epic and potentially tragic. Plus, I love James McAvoy. The Golden Compass opens as well. I wasn't interested in it at all until Inge told me some background on it. Perhaps I'll see it now. I mean, Eva Green and Daniel Craig are in it so that's a plus! Grace is Gone opens in limited. I really hope John Cusack is as good as everyone says he is here. I really hope he'll finally get an Oscar nomination. Unfortunately, the race is probably too heavy at this point.

December 14 - Alvin and the Chipmunks? Me thinks not. I am, however, very excited about seeing I Am Legend. If there's one person I trust saving the world, it's Will Smith. The Kite Runner and Youth Without Youth open in limited release. Which means I probably won't see them this year.

December 21 - Charlie Wilson's War looks surprisingly better than I thought it would. Tom Hanks has an inherent charm about him. Put him with Phillip Seymour Hoffman, Julia Roberts and Amy Adams and, wow. What a line-up! When I see the trailer for National Treasure: Book kof Secrets, all I can think is: "Helen Mirren and Ed Harris are better than this." P.S. I Love You opens and looks... cutesy. That's not a good thing. The best parts are probably the parts with Lisa Kudrow from the trailer. Skip. Sweeney Todd opens as well. I'm disappointed that they are trying to hide the fact that it's a musical. Embrace it! Then there is Walk Hard: The Dewey Cox Story. Might be hilarious. Might be stupid. We'll see.

December 25 - Alien vs. Predator - Requim opens. No, I'm serious. The Bucket List opens in limited release probably just so Jack can try to get another Oscar nomination. Hell, I would give it to him but that's just me. The Water Horse opens for all the little kiddies. I'd say skip it and go see Enchanted again.

December 26 - There Will Be Blood opens in New York. Again, maybe I'll drive there just to see the showdown between one of the great (Daniel Day-Lewis) and one of the upcoming greats (Paul Dano).

December 28 - Two limited releases that I would love to see open in limited: Woody Allen's Cassandra's Dream (eventhough the buzz is NOT good. Still, I would see anything Woody does. And I would recommend anything Woody does... unless it has the words "Jade Scorpion" in the title) and The Orphanage, a creepy Spanish horror movie.

In the Valley of Elah, Feast of Love, and more!

In the Valley of Elah - There are people who didn't like Paul Haggis' directorial debut Crash because it was soapy and over-dramatic. I absolutely loved Crash but I do understand where said critics are coming from. The thing about In the Valley of Elah is that it proves that Haggis embraced one of the most wonderful tools a director has in his arsenal: restraint. Instead of going with the interconnected multiple story lines, Elah follows one main story throughout the film. Instead of going for the overly-emotional, this film embraces understated performances, namely from Tommy Lee Jones who is just spectacular in this movie. It is actually very brave of Haggis to make serious changes to the style that won him Best Picture at the Oscars. It's even more impressive that it works so well for him. To the story, Hank (Jones, in his best performance) goes searching for his son (Jonathan Tucker - although he's barely in it) and he meets a lot of military people who don't really want to tell him much. He tries to get help from the cops. At first they don't want to help him find out where his son is either. He starts investigating by himself but is soon joined by a cop played by Charlize Theron. One of the things I like about the movie is it doesn't preach it's message. Clearly, it's got quite a few negative things to say about the war in Iraq but it's all done very subtley and the film isn't a two hour tirade against it. Tommy Lee Jones' performance could quite possibly be the best of his career. He is the strong, silent type and brings so much emotion to the role. Theron is strong as well but nothing to write home about. Sarandon may be a tad underused but she's powerful and perfect when she's featured. The film isn't necessarily long (2 hours) but it feels long. At first I wasn't sure I liked the ending but the more I think about it, the more I do. I was waiting for a conspiracy, the other shoe to drop, so to speak. But, sometimes, the motives for things aren't so cut and dry. War changes people. In the Valley of Elah is a strong film about the effects of war on people. It's also a solid crime thriller. I'm not sure it will win Best Picture but there will probably be at least three Oscar nominations (Jones, Sarandon, Screenplay). It's an easy film to get interested in. It's captivating and very moving.

Grade: B

Feast of Love - Honestly, I wasn't expecting much from this movie. I thought it was going to be just another sappy, cheesy love story. But I was pleasantly surprised. It's a funny, smart, sexy, tragic story about relationships - not just romantic relationships but the relationships we form with different people in our lives. The movie stars Morgan Freeman as Harry, a college professor who is struggling with the death of his son to a drug overdose and who extends his leave of absence at the University of Portland. Meanwhile, he becomes a sort of father figure to numorous other characters including Bradley's (Greg Kinnear) hopeless romantic but bad luck with love coffee shop owner. At first he's married to Kathryn (Selma Blair). But then she leaves him for another woman. Next he gets married to Diana (Radha Mitchell) who is having an affair with a married man, David, played by Billy Burke. The affair was going on before she met Bradley and it continues up until she marries Bradley and then continues when she leaves Bradley for David. While Bradley is unlucky in love, star crossed young lovers Chloe and Oscar (Alexa Davalos and Toby Hemingway - each prettier than the other) fall in love at first sight and their passion and love overcomes the fact that they have no money, only a dream for the future where they'll live in a house with a foyer. This film peels back the layers of humanity and explores the different personalities within people. The number of intimate moments (so much nudity) and personal insecurities are too many to count and list. But isn't that like in real life? This film is very realistic. Very rarely do you see movies like this on-screen. Is it a little watered down? Sure. But it's more realistic than most 'romance' movies. The best story line probably follows Freeman and Jane Alexander as an interracial couple hurting deeply from the loss of their son but the strength of their relationship allows them to deal with the grief in separate ways. It's no light-hearted chick flick. Thank God! It's interesting and tender and heartbreaking and just plain realistic. It's not a romantic drama. It's a human drama and it's surprisingly endearing.

Grade: B-

Hot Fuzz - The movie is mostly funny and well done. Lots of great action film throw backs. However, it's about 25 minutes too long. Still, enjoyable. Grade: C+

The Game Plan - Ugh. There were a few things I laughed at so it makes it better than Good Luck Chuck, for sure. The Rock isn't a great actor but at the very least he has charm and charisma. Predictable. Whatever. Grade: D+

October Movie Preview

October 5 - I'll be rushing to see Feel the Noise since I love urban dance movies. The Heartbreak Kid, I guess, is the big draw. I'm not really a fan of Ben Stiller's but I'll check it out anyway. In non-movie news, the new season of Friday Night Lights premieres. If you don't watch it, you don't know what you're missing. It's the best show on television. Period.

October 12 - Michael Clayton opens wide. I can take or leave George Clooney but I'll be there because of Tilda Swinton and Tom Wilkinson (who looks like he rocks this movie!). Elizabeth: The Golden Age opens. Cate Blanchett will probably be Oscar nominated. The movie stars a lot of pretty people - Cate, Clive Owen, Abbie Cornish, Samantha Morton. Too bad the whole thing just looks so unnecessary. Lars and the Real Girls opens in limited so if you live in a city you can see Ryan Gosling have sex with a blow-up doll. Color me jealous. Then there is a potentially good / potentially bad movie starring one of my movie star boyfriends (I should make a list of them all, huh?). We Own The Night stars Joaquin Phoenix and I'll be there because he's SEXY.

October 19 - The coolest idea for a vampire movie EVER opens, 30 Days of Night and it stars Ben Foster so you know it's going to be way cool. Some probably-dumb sports movie spoof called The Comebacks open. Jan from The Office is in it. Too bad that won't make me go see it. Ben Affleck's directorial debut Gone Baby Gone opens. It stars his younger (cooler) brother Casey Affleck. It's based on a book by the guy that wrote Mystic River. It may be awesome. We'll see if Ben is a better director than he has been an actor lately. Rendition opens. It stars lots of Oscar winners/nominees (Meryl! Reese! Jake! - Peter Sarsgaard gets no love in the trailer because he's never been nominated). I sort of think this movie has TRAINWRECK written all over it. Reservation Road opens in limited. More Joaquin although the movie looks like an In The Bedroom rip-off. Things We Lost in the Fire opens. It stars Halle Berry and Benicio Del Toro. The trailer is, quite possibly, the worst trailer ever made. I have faith in Benicio. I do NOT have faith in Halle. Wristcutters: A Love Story opens in very limited release. With a name like that, man, you know it's my kind of movie.

October 26 - The trailer for Dan in Real Life only makes me feel sad for Steve Carrell and his choice of films as of late. But it doesn't matter almost because no one is going to see that movie. Wanna know why? Saw IV opens. I liked the first one, hated the second one and loved the third one. We'll see where this one falls in the spectrum.