This Cinephile

Sunday, February 20, 2011

Ranking the Best Picture Nominees

The Oscars is a week from today and I couldn't be more excited. Later this week, I will make my predictions but for now I am going to rank the 10 best picture nominees, now that I have finally seen them all. Most of them I have reviewed before but a few I haven't, so a mini review will be included as a refresher. Also, the reviews are written the way I would rank them, from best to worst.

THE SOCIAL NETWORK - All that best picture of the year talk surrounding this film is NO JOKE. It's not just "that Facebook" movie. It's fresh, relevant, fast-paced, witty, clever, funny and a damn good movie, featuring the best ensemble of the year (all under 30!). David Fincher directs the hell out of the memorable script by Aaron Sorkin. Grade - A

BLACK SWAN - A beautiful and disturbing thriller set in the world of ballet, Black Swan is Darren Aronofsky's latest with Natalie Portman giving her best performance ever. Aronofsky is fearless presenting us a thrilling movie about the search for perfection in art. It's delightfully crazy and beautiful, intense and powerful. Grade - A

INCEPTION - The most radically original movie since Eternal Sunshine of the Spotless Mind, Inception is a wonderful mindf**k from Christopher Nolan, the man who brought us the brilliant mindf**k that was Memento a few years back. The cast, the story, the effects - everything about this movie is just plain incredible. Also, kudos for that epic hallway scene with Joseph Gordon-Levitt which is a blissfully long way from 3rd Rock from the Sun. Grade - A

THE FIGHTER - You know I can't stop talking about the acting powerhouse performance of Christian Bale (and if he gets upset by Geoffrey Rush, it will be a sin). But this whole movie is an amazing character study about the internal and external struggles to never give up. Sure, it's a boxing film (and the boxing sequences are intense and powerful) but it's also a slow burning character drama that gets inside the heads of these working class heroes. Grade - B+

127 HOURS - An infinitely better film than Danny Boyle's last offering (the overrated Oscar winning Slumdog Millionaire), 127 Hours is an adrenaline rush that doesn't stop and doesn't quit. With a cast of virtually one man - the crazy talented James Franco - 127 Hours is the kind of movie that burrows into your brain and stays there for days. If it wasn't a true story, there's no way you would believe what this guy went through. Thanks to Franco's brilliant performance, this movie is one you won't want to miss. Grade - B+

TRUE GRIT - I have nothing but good things to say about the latest from the Coen Brothers. The cinematography is breathtaking. The performances are spectacular (especially that of Hailee Steinfeld who I am predicting to upset favorite Melissa Leo). It's a well shot, funny, thrilling, suspenseful Western delight. It's just that after leaving the theater, I was a little underwhelmed. Don't get me wrong, I enjoyed the movie immensely. It's a great, enjoyable film. It just didn't hit me and stay with me the way the previous films did. Grade - B

THE KIDS ARE ALL RIGHT - Look, the movie was fine. It's got a solid script and some very good filmmaking, but it's really the performances that make it worth it. Annette Bening and Julianne Moore go toe-to-toe as lesbians in love who deal with their sperm donor (a delightful Mark Ruffalo) showing up and making himself part of their lives. It's a wonderful modern love story with starkly realized characters that you feel like you truly know. However, sometimes it's just a little too Lifetime movie of the week for me. Not that there is anything wrong with Lifetime movies. They just shouldn't be Best Picture nominees. (If you remember, I felt the same about Precious last year and I feel the way about the next movie...) Grade - B-

WINTER'S BONE - Another movie that feels way too much like a Lifetime movie to deserve a place in the Best Picture lineup. I'm not going to lie, the performances here are sensational. In fact, Jennifer Lawrence would be my first runner up to Best Actress winner (finger's crossed) Natalie Portman. She's only 20 now, (she was probably 18 when they filmed) and her performance is so subtle and nuanced, it's like a performance by someone twice her age and with twice her experience. John Hawkes nominated supporting turn is spell binding as well. The movie was just, well, kind of boring. Grade - C+

TOY STORY 3 - Okay, look, I'm not a big fan of animated movies. I'm not going to lie. The last animated movie I truly loved was Beauty and the Beast and that came out when I was something like 7. Since then, the ones I've seen haven't impressed me all that much and I try to stay away from them as much as possible. But I truly did give this movie a chance. It just all seemed a little too pretentious, winky, cheeky, look at how smart we are, to me. I'm fully admitting it's not my thing so take this with a grain of salt but I hated the damn movie until... that ending. That beautiful, sweet, sad, adorable ending which made the whole pile of shit worth it. This movie was a hard D going into those last ten minutes but those ten minutes made things so much better. Grade - C

THE KING'S SPEECH - It blows my mind that such a colossal bore of a movie is going to (probably, but hopefully not) beat The Social Network, one of the most exciting movies of the year, for Best Picture at the Oscars next week. The filmmaking was fine (a bit weird at times... what was with those creepy close ups at the end??). The performances were all very good (especially Firth who was excellent, although, methinks, not as good as Franco, and what the hell with them wasting the talents of Helena Bonham Carter??). There were parts of the movie that were interesting and funny and a little amusing. But all in all? Boring! Really, really, really boring! And pretentious! And, also, really what was with the way they reacted to him finally giving a speech without stuttering at the end?? Like he had cured f**king cancer or something? Geez. Grade - C-

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Wednesday, January 05, 2011

Top Ten List: Best Actress 2010

10. Carey Mulligan in The Greatest - In such an underground movie, one that not many people have seen or even heard of, it sure has some great acting by the entire cast. Best of all is Mulligan, an actress who is slowly making a name for herself thanks to last year's An Education. She's even better here as a young woman, pregnant, mourning the death of the man she loved but didn't really know all that well. She struggles to find out the most about him while dealing with his mourning family. She's simply excellent.

09. Rebecca Hall in The Town - Sure, Jeremy Renner is getting all the buzz (and rightfully so), but Hall is damn good as a bank manager dealing with being taken hostage and then falling in love (unknowingly) with one of the men who took her. The layers of her performance are so impressive, it's hard to believe she isn't a bigger more famous star at this point.

08. Olivia Williams in The Ghost Writer - Although I enjoyed The Ghost Writer, I had my problems with this film (sort of typical, right down to the male casting). However, Williams was a truly wonderful addition to the film. As the sexy and vulnerable wife of a prime minister, she steals every single scene from two men (Ewan McGregor and Pierce Brosnan) who are far more famous than she is.

07. Noomi Rapace in The Girl Who Played with Fire - It's no surprise that I have sort of latched onto Lisbeth Salander as a character that I admire. She's badass, tough, and lives life by her own rules. I was very concerned with who they would choose for the American remake. While I'm not positive I approve of Rooney Mara, it may just be because she will never ever live up to Noomi Rapace who is pure perfection. As you can imagine, more later...

06. Annette Bening in The Kids Are All Right - She may be the only person who could beat Natalie Portman at the Oscars, but she didn't even crack my top 5. Bening is good, sure. She's always good. And that's part of the problem. We've all seen her do this type-A personality role before. I don't want to take anything away from her wonderful performance but, honestly, there were better this year.

05. Julianne Moore in The Kids Are All Right - While Bening played the exact same character she always plays, Moore struck out and paved new territory as the slightly ditzy, underappreciated wife of Bening's. She's a free spirit always changing her mind about everything, including her profession. And, I mean, kudos for all those super sweaty sex scenes!

04. Emma Stone in Easy A - Since she broke out, we knew she could be the funny girl (Superbad, Zombieland). But in Easy A, she is the funny girl but also the smart girl and the sexy girl and the girl who you really want to be best friends with. She takes what could have been a cliche teen comedy character and turns her into a real person, someone you feel like you know personally. Plus, she's got perfect comedic timing, but that should be no surprise!

03. Jennifer Lawrence in Winter's Bone - So, I didn't like this movie. I mean, I didn't hate it either but like The Kids Are All Right, I don't get all the buzz. Also like The Kids Are All Right, one thing I can't complain about is the acting (her co-star John Hawkes just missed my Best Supporting Actor list yesterday). Lawrence is a revelation. It's the sort of breakthrough role that will most certainly send her into a whole new stratosphere, playing a tough teenger in the hardened mid-West, trying to take care of a sick mom and her younger siblings, all while searching for her father amidst some really creepy and crazy people. Lawrence truly shines.

02. Noomi Rapace in The Girl with the Dragon Tattoo - Like I said, she's the perfect Lisbeth. Rapace manages to make the most of playing the badass computer hacker with the traumatic past by basing her performance in real emotion. She's got tattoos, an intimidating stare and an "i don't take shit" expression on her face at all times, but there is something so much more behind those eyes and Rapace manages to get that across to the audience which is why she is so brilliant here. Plus, there's the way she deals with a sexual predator that will truly make you want to stand up and applaud her badassery.

01. Natalie Portman in Black Swan - Portman, for me, has always been a little rigid on film. She sort of reminds me of Nicole Kidman in that neither actress really breaks out of their comfort zone too often. But when they do (Kidman in Moulin Rouge, Portman in Closer), it's a pure pleasure. This is Portman breaking out of her comfort zone BIG TIME. As Nina, a ballerina who wants nothing more than to be perfect, she walks the perfect line between sweet, naive, soft spoken little girl and, later, a woman full of passion and danger and sexuality. Her transformation is truly impressive and something that everyone is taking about (and for good reason). As a girl cracking under so much pressure, Portman hammers it out of the park and here's hoping Oscar rewards her.

Tomorrow - Best Actor!

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Saturday, August 14, 2010

Mini Reviews

Inception - By far, the best movie of the year so far. I haven't seen anything this radically original since probably Eternal Sunshine of the Spotless Mind. There aren't many fresh ideas out there these days so thank goodness Christopher Nolan has a few. The cast, the story, the effects - everything is just plain incredible. Leonardo DiCaprio gives his second amazing performance of the year (working out some crazy dead wife drama - AGAIN). Also, that epic hallway scene with Joseph Gordon-Levitt is a blissfully long way from 3rd Rock From the Sun.
Grade - A

The Other Guys - At times, laugh out loud funny. However, there are times when it's also extremely plodding. It's too long, for sure and the plot could be a lot tighter. However, it's still quite funny and Will Ferrell isn't nearly as annoying as he usually is. Michael Keaton is nothing short of a scene stealer. Worth a watch but not the funniest movie of the year.
Grade - C+

The Runaways - Parts of this movie are far better than they need to be. But then it becomes a typical cliche movie. The movie drags along forever at some points but then seemingly skips a lot of very important parts. In the end, it's kind of a wash out. Kristen Stewart, who looks a hell of a lot like Joan Jett, can't seem to shake that awkwardness that she's so famous for. Dakota Fanning is pretty impressive as Cherie Curry. However, the movie belongs to Michael Shannon as The Runaways diabolical and hilarious manager Kim Fowley. He steals the entire movie and is, at times, the only reason worth watching. I want a spin off about his character!
Grade - C-

The Girl with the Dragon Tattoo (Sweden) - I can see why they are having such a difficult time casting the role of Lisbeth Salander, the tough as nails, tattooed, bad ass computer hacker, for the U.S. remake. The part is not going to be a walk in the park but Noomi Rapace rocks the role so hard. She's a revelation in this complicated story about a disgraced journalist trying to solve a 40 year old murder. Beautiful filmmaking, a great script and solid performances make this a damn good movie.
Grade - B+

Step Up 3D - All my life, I've always wanted to know what it would be like to have someone break dance on my face. Thanks to Step Up 3D, now I know! Sure, it's not going to win any awards and it's not the most amazing film of all time or anything. But it is a hell of a lot of fun. As you are probably aware, urban dance movies are my guilty pleasure and some of the dance sequences are so enjoyable. It's such a fun movie!
Grade - C+

The Kids Are All Right - The indie sensation of the year is definitely worth the buzz. It's got a solid script and some very good filmmaking but it's the performances that make the movie worth it. Mark Ruffalo and Mia Wasikowska give amazing supporting roles as a man in his late 30s struggling to grow up and an 18 year old struggling to become an adult, respectively. But it's the all out war for acting supremacy between leads Julianne Moore and Annette Bening that is most engaging. It's a tough call as to who out acts whom. My vote goes for Moore and her delightfully hilarious ex-stoner who is actively making a mess out of her lovely life.
Grade - B+


Coming soon - reviews of Scott Pilgrim vs. the World and Eat Pray Love.

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