The Great Gatsby

Disclaimer: I am not a fan of 3D, in general. I think it is unneccesary and sort of silly. It drives up prices even more and for what? A few cheap thrills as something flies towards your face? No thanks. Since there are exceptions to every rule, I have two exceptions for my I Hate 3D rule. They are: Martin Scorsese's Hugo and Ang Lee's Life of Pi. These two films are examples of brilliant directors (two of the aboslute best, really) who know how to make a goddamn movie and know how to use 3D to enhance their films. Hugo was brilliant and while Life of Pi was a flawed masterpiece, the 3D definitely wasn't the problem. Baz Lurhman is already a pretty visual director (that's probably the understatment of the year). Moulin Rouge already popped off the screen and that wasn't even in 3D. When I first heard that The Great Gatsby would be filmed in 3D, I thought it was a terrible idea. Then I saw Hugo and Life of Pi and thought I could have jumped to the wrong conclusion. Lurhman is a great director too, so maybe he will get the 3D thing right also. But here's the problem. I'm not sure Baz had any idea what to really do with the 3D. If anything, I think the 3D in this case was highly detrimental to the film. But more on that in a moment.

In case you haven't read The Great Gatsby since tenth grade English class (unlike me who reread it last month in anticipation), here is the summary. Narrator Nick Carraway (Tobey Maguire) moves from the MidWest to Long Island in order to become a big wig on Wall Street. Meanwhile, he becomes obsessed with his millionaire playboy neighbor Jay Gatsby (Leonardo DiCaprio) who throws lavish, impossibly crazy parties in order to catch the attention of the girl who got away, and the girl who just so happens to live across the bay, Daisy Buchanan (Carey Mulligan), who also happens to be Nick's cousin, and also happens to be married to rich brute Tom (Joel Edgerton), who is having his own affair with a trollop named Myrtle (Isla Fisher), who is married to a sweet but stupid mechanic (oh, hey there, Jason Clarke with those sexy eyes). Also, there's sexy, mysterious Jordan (Elizabeth Debicki, doing her best angsty Rooney Mara impression), who is Daisy's bestie and Nick's love interest despite the fact that he's probably gay (at least this is implied in the book. They really make no mention of the fact that he's most likely in love with Gatsby in the movie, and really, why would they? It's not like it's 2013 or anything).

The acting is mostly pretty good. DiCaprio is perfectly cast as Gatsby. He's mysterious and sexy. He pretty much brings it as the pretty boy wanna be rich man. On the other hand, I'm not quite sure Maguire was the right choice for Nick. Sure, he played it well enough (and he had the hard part, what, with that excrutiating framing device), but Nick is supposed to be all wide eyed and innocent and I just didn't really get that vibe from Maguire. He seemed more confused than anything. Clarke, Debicki and Fisher are all fine but they don't really have much to do. Mulligan is fine as Daisy as well, but it's not necessarily her fault that she isn't better. The character of Daisy in the book is not written as a real person but as some sort of fantasy dream girl, so Mulligan does the best she can with a character that isn't necessarily adaptable. The problem with Mulligan's performance is just that she doesn't have any chemistry whatsoever with DiCaprio and that's sort of a problem when you are trying to make a romance movie. The highlight of the film, for me, is Edgerton who is absolutely the only subtle thing about this movie and takes Tom from being just some racist bully and turns him into this very layered, nuanced character.

And speaking of nuance, or lack there of, to say The Great Gatsby is opulent is an understatement. The party scenes are crazy and vivid, the costumes are luxorious and beautiful. But there is also the slight problem of it being all a bit much. The 3D distracts from the costumes which distracts from the music which distracts from the acting. The Great Gatsby is a feast for the eyes, but it is also just too much. The actors and the dialogue (those iconic lines written so many years ago that are still so ingrained in the minds of so many) and, even the plot!, all take a back seat to the crazy visuals.

Now, reading this, you probably assume that I hated The Great Gatsby, and it may sound that way, but it's not the case. I thought it was very flawed but by no means bad. Sometimes it's so good, it almost hurts because you realize what could have been. First things first, I loved the heavily hip hop influenced soundtrack. I guess there are a lot of people hating on the soundtrack because rap wasn't around in the 1920s. First of all, Jay-Z is timeless! Second of all, I don't remember people being all that upset about the music in Moulin Rogue - actually, quite the contrary, I'm pretty sure people loved it - and as far as I know no one was writhing around to Like a Virgin and singing songs by The Police in 1899 France. I also loved the shirt scene (which was always my favorite scene in the book) and I thought the entire sequence of Jay and Daisy reuniting at Nick's house was pretty perfect and funny. Also, you know, whenever Joel Edgerton was on screen was pretty great.

So, maybe it's just that The Great Gatsby isn't adaptable. I mean, the book is something like 150 pages long and it took 2 and a half hours for Baz to tell the tale. Maybe, people should just take 3 or 4 days and read the book again. It's widely considered the greatest American novel ever written for a reason.

Grade: C+

Quickies: Contagion, Drive and more!

Win Win - Indie darlings Paul Giamatti and Amy Ryan star as a Midwestern couple who all but adopt a young wrestling prodigy in this charming little film. Giamatti and Ryan are both fantastic in their roles, especially Giamatti who doesn't play necessarily the most likable person in the world. Bobby Cannavale manages to steal every scene he's in, of course. I was expecting just your average indie quirky film but it had a lot more depth and heart that I was expecting. It's definitely worth checking out.
Grade: B-

Contagion - If you think this is just going to be another boring disaster type flick about an epic disease spreading through the world is wrong. This isn't Outbreak. This a great film from director Steven Soderbergh with, probably, the most perfect cast of the year: Matt Damon, Kate Winslet, Gwyneth Paltrow, Jude Law, John Hawkes, Marion Cotillard, Bryan Cranston, Laurence Fishburn. Paltrow goes oversees on a business trip and manages to become infected. When she returns home, she begins to pass the virus to everyone around her. And so it begins. Watch as husbands mourn their cheating dead spouses and struggle to keep their daughter disease free, doctors try to find a cure and trace the beginning, and sleazy journalists try to profit from the whole thing. A great thrilling interesting timely film.
Grade: B

Paul / Your Highness - I could pretty much say the same thing about both of these movies: so much wasted talented!!! Paul is about a couple of nerds leaving Comic Con who discover a real alien and run from the FBI. The wasted comedic talent includes, but is not limited to: Simon Pegg, Kristen Wiig, Jason Bateman, Bill Hader, Jane Lynch and my beloved Landry from Fright Night Lights (a.k.a. Jesse Plemmons). Your Highness is an epic about a stoner knight who goes on a quest with his handsome brother to save his virgin bride from an evil wizard. Not only is it directed by David Gordon Green, the genius who directed All the Real Girls and George Washington, but also it wastes the considerable talents of Natalie Portman, James Franco, Zooey Deschanel and Justin Theroux (and the somewhat lesser talents of Danny McBride). Neither film is funny at all. Both are a huge waste of time and will probably end up on my Worst of the Year list.
Grade: F for both

Drive - This movie has a massive amount of swagger and style from the very first second of the film. You are immediately engrossed in this beautifully filmed story about a stunt car driver for films who finds himself caught up in a crazy world of driving criminals from whatever place they happen to be robbing. And, boy, can he drive. He being Ryan Gosling, who mesmerizes and smolders his way through this film. He's fantastic. As is the supporting cast of Carey Mulligan (who is pretty much Michelle Williams, version 2.0 and that is NOT a bad thing), Bryan Cranston (again!), Ron Perlman and SCENE STEALER EXTRAORDINAIRE Albert Brooks. Seriously, Brooks is sooo damn good, I can't imagine him not being nominated for an Oscar at this point. This movie is simply beautiful, one of the best of the year. It's silent and intense and a great slow burn thriller that goes from zero to extreme violence in the blink of an eye. This movie should not be missed!
Grade: B+

Top Ten List: Best Actress 2010

10. Carey Mulligan in The Greatest - In such an underground movie, one that not many people have seen or even heard of, it sure has some great acting by the entire cast. Best of all is Mulligan, an actress who is slowly making a name for herself thanks to last year's An Education. She's even better here as a young woman, pregnant, mourning the death of the man she loved but didn't really know all that well. She struggles to find out the most about him while dealing with his mourning family. She's simply excellent.

09. Rebecca Hall in The Town - Sure, Jeremy Renner is getting all the buzz (and rightfully so), but Hall is damn good as a bank manager dealing with being taken hostage and then falling in love (unknowingly) with one of the men who took her. The layers of her performance are so impressive, it's hard to believe she isn't a bigger more famous star at this point.

08. Olivia Williams in The Ghost Writer - Although I enjoyed The Ghost Writer, I had my problems with this film (sort of typical, right down to the male casting). However, Williams was a truly wonderful addition to the film. As the sexy and vulnerable wife of a prime minister, she steals every single scene from two men (Ewan McGregor and Pierce Brosnan) who are far more famous than she is.

07. Noomi Rapace in The Girl Who Played with Fire - It's no surprise that I have sort of latched onto Lisbeth Salander as a character that I admire. She's badass, tough, and lives life by her own rules. I was very concerned with who they would choose for the American remake. While I'm not positive I approve of Rooney Mara, it may just be because she will never ever live up to Noomi Rapace who is pure perfection. As you can imagine, more later...

06. Annette Bening in The Kids Are All Right - She may be the only person who could beat Natalie Portman at the Oscars, but she didn't even crack my top 5. Bening is good, sure. She's always good. And that's part of the problem. We've all seen her do this type-A personality role before. I don't want to take anything away from her wonderful performance but, honestly, there were better this year.

05. Julianne Moore in The Kids Are All Right - While Bening played the exact same character she always plays, Moore struck out and paved new territory as the slightly ditzy, underappreciated wife of Bening's. She's a free spirit always changing her mind about everything, including her profession. And, I mean, kudos for all those super sweaty sex scenes!

04. Emma Stone in Easy A - Since she broke out, we knew she could be the funny girl (Superbad, Zombieland). But in Easy A, she is the funny girl but also the smart girl and the sexy girl and the girl who you really want to be best friends with. She takes what could have been a cliche teen comedy character and turns her into a real person, someone you feel like you know personally. Plus, she's got perfect comedic timing, but that should be no surprise!

03. Jennifer Lawrence in Winter's Bone - So, I didn't like this movie. I mean, I didn't hate it either but like The Kids Are All Right, I don't get all the buzz. Also like The Kids Are All Right, one thing I can't complain about is the acting (her co-star John Hawkes just missed my Best Supporting Actor list yesterday). Lawrence is a revelation. It's the sort of breakthrough role that will most certainly send her into a whole new stratosphere, playing a tough teenger in the hardened mid-West, trying to take care of a sick mom and her younger siblings, all while searching for her father amidst some really creepy and crazy people. Lawrence truly shines.

02. Noomi Rapace in The Girl with the Dragon Tattoo - Like I said, she's the perfect Lisbeth. Rapace manages to make the most of playing the badass computer hacker with the traumatic past by basing her performance in real emotion. She's got tattoos, an intimidating stare and an "i don't take shit" expression on her face at all times, but there is something so much more behind those eyes and Rapace manages to get that across to the audience which is why she is so brilliant here. Plus, there's the way she deals with a sexual predator that will truly make you want to stand up and applaud her badassery.

01. Natalie Portman in Black Swan - Portman, for me, has always been a little rigid on film. She sort of reminds me of Nicole Kidman in that neither actress really breaks out of their comfort zone too often. But when they do (Kidman in Moulin Rouge, Portman in Closer), it's a pure pleasure. This is Portman breaking out of her comfort zone BIG TIME. As Nina, a ballerina who wants nothing more than to be perfect, she walks the perfect line between sweet, naive, soft spoken little girl and, later, a woman full of passion and danger and sexuality. Her transformation is truly impressive and something that everyone is taking about (and for good reason). As a girl cracking under so much pressure, Portman hammers it out of the park and here's hoping Oscar rewards her.

Tomorrow - Best Actor!

The Greatest (DVD)

What a hidden gem of a movie! Totally unexpected and with so much heart and emotion, The Greatest (which had a limited theatrical run back in April) is most definitely one of the best movies of the year! Right out of the gate, the cast is fantastic for such a small movie. Susan Sarandon, Pierce Brosnan, Aaron Johnson, Carey Mulligan, Johnny Simmons (!!), Michael Shannon (!!!), and Zoe Kravitz appear in the indie film.
Sarandon and Brosnan star as a couple dealing with the death of their eldest son, Bennett, (Johnson) in a car crash. They had marital problems before the death and their grief, and the different ways they choose to deal with it, is only pushing them further and further apart. In fact, Sarandon becomes closer to the man responsible for the crash (Shannon) who just so happens to be in a comma. Meanwhile, Brosnan becomes close to Rose (Mulligan), who shows up at their door one day, pregnant with their dead sons baby after only one night together. Then there is their youngest son Ryan (Simmons) who is dealing with the grief his own way, doing drugs and falling for a girl in his grief meetings (Kravitz).
It sounds like a typical melodramatic film but it isn't at all. The script by Shana Feste, who also directed, is so clever and interesting, jumping around to different moments, that the movie never fails to be interesting. In fact, most of the relationship between Rose and Bennett plays out entirely in flashbacks. (The title comes from a particularly intimate well-done moment in the film when Bennett says his one night with Rose was the greatest).
The performances are all top-notch and, really, what else would you expect from such an amazing cast? Sarandon is phenomenal as the mother in mourning, unable to let her son go and unable to accept Rose into their lives. Brosnan, whose character chooses to deal with the loss in entirely different way, is impressive as well. Mulligan continutes to show promise. She's not just a once and done actress who made a great movie (An Education) and will wither away and disappear. She's hear to stay and she's formidable, with her porcelain looks and mixture of vulnerability and toughness (she might have made a better Lisbeth Salander than Rooney Mara but I'll save that rant for another time). Then there's Johnny Simmons, who I adore beyond words. Mostly, my love for him has to do with the fact that he is super adorable. But he is truly impressive in this film. He's one part comic relief, one part ticking time bomb. There is a scene in one of his grief counseling meetings where he is devastating to watch.
It's a depressing movie to watch, for sure, but it is most definitely worth it.
Grade: A-

Top Ten List: Best Actress of 2009

10. Julia Roberts in Duplicity - Roberts is a charming sweetheart and she's got great chemistry with co-star Clive Owen. They play off each other so well and look like they are having so much fun as they double cross each other that it really sticks with the audience.

09. Maya Rudolph in Away We Go - The movie was a little heavy handed for me, but Rudolph proved she's more than just a funny girl from SNL. She can do drama too and her performance was most definitely the best thing about this movie.

08. Natalie Portman in Brothers - Portman is devastating as a young mother who seemingly loses her husband in Afghanistan and then finds herself mourning and falling for his brother. She plays the different facets of her character with such ease and subtlety.

07. Rachel Weisz in The Brothers Bloom - I will say this about Weisz in The Brothers Bloom - the girl knows how to make an entrance! And her entrance is probably the best of the year. As an eccentric millionaire who is so bored with her life that she collects hobbies (photography, break dancing, rapping, being a con artist, etc.), Weisz is so quirky and so much fun!

06. Gwyneth Paltrow in Two Lovers - It's been a while since Paltrow has really wowed me, but she does her. She's the girl of every man's dreams. She's perfect, she's beautiful, she's very nearly unattainable. She walks an emotional tightrope and, while she appears perfect and happy, is ready to fall apart at any given second. She's changing her mind constantly yet is so alluring you understand completely why Joaquin Phoenix falls so hard for her.

05. Zoe Saldana in Avatar - There's a debate going on at the Awards Daily website about whether or not Saldana should be included in the Best Actress race. I think she should. Her character is one of the most kick ass, fascinating female characters of the year. It doesn't matter if she's a nine foot tall blue alien on screen because she still exudes passion and emotion. Her performance is really ground breaking.

04. Gabourey Sidibe in Precious - Sidibe may be the find of the year. She stars as Precious, an illiterate Harlem teen who is pregant for the second time (her dad is the father). Her mom (Future Oscar Winner Mo' Nique) abuses her mentally and physically. Yet, she's funny. She's sweet. She's hopeful. She wants to live her life to the fullest. The film may be a real downer at times but it's also strangely uplifting.

03. Carey Mulligan in An Education - Or maybe Mulligan is the find of the year. She perfectly plays the complex role of a young girl who talks and acts like an adult (she's obsessed with Parisian culture and going to Oxford) but is still such a child in a lot of ways. Her performance is so, so good that you just can't wait to see what else she can do. Her performance is simply remarkable.

02. Abbie Cornish in Bright Star - Everything about this movie is so good and one of the best things is Cornish's performance. There were times during the film where I just kept thinking, "My God, she's brilliant!" And it's true. You really get a sense of the love between her Fanny and John Keats (Ben Whishaw). Not just swooning or anything but real deep love with pain and doubt and such strong emotion. It's simply a great performance.

01. Meryl Streep in Julie and Julia - Queen Meryl can do ANYTHING. That seems to include becoming Julia Child. Not just doing a pitch perfect impersonation, but really becoming her. She even managed to somehow grow ten inches. Meryl is funny and sincere and just perfect as always. She truly is the greatest living actress. Meryl can do no wrong.