Worst Films of 2013

Instead of a Friday Top Five, how about a top ten? As in, the ten worst films I've seen this year.

10. Spring Breakers - This has been popping up on people's Best of the Year lists, and I have to admit that I don't understand why. Sure, I get it. Hot girls in bikinis, video game violence, absurdest humor, James Franco playing a rapper / singing Britney Spears songs. It sounds like it should be some sort of cult masterpiece. However, in my opinion, it just tries way too hard. These Disney girls (Vanessa Hudgens, Selena Gomez) are trying to convince us that they are breaking from their good girl images, trying to be bad girls. But they are so obviously just pretending and absolutely nothing that happens in this movie is realistic in any remote way.

09. Kick Ass 2 - Where the original Kick Ass did everything right, this unnecessary sequel does everything wrong. The first film was memorable because it was charming and witty and fun, three things that this sequel most certainly is not. Hit Girl isn't really effective anymore. Sure, she was adorable as a potty mouthed little kid kicking ass. Now she's just another angst-filled teenage girl. It's simply an embarrassment to the first film. It's better to pretend it never happened at all.

08. Gangster Squad - Here's the only way I can explain how this movie got this crazy gifted cast: Sean Penn reads the first few pages of the script where he sees he's going to play an old school bad ass gangster and agrees. Then Josh Brolin thinks, "Well, if Sean Penn is going it." And Ryan Gosling thinks, "If Sean Penn and Josh Brolin are doing it." And Emma Stone thinks, "Well, if Sean..." You get my drift. I couldn't possibly imagine how a movie with such a stellar cast could be so bad, but somehow it is. Somehow it's so much worse than you can even imagine.

07. Man of Steel - I just about hated everything about this movie (save for Amy Adams), which doesn't even matter because it made all of the money. It's just that there are no characters that you care about. There's no humanity. This movie doesn't even have a sense of humor. One character cracks one joke at the end of the film and it feels so out of place that it's eye-roll inducing. If the great Michael Shannon can't even save things as an over the top super villain, then what chance do we really have?

06. Only God Forgives - The most disappointing movie of the year, in the sense that it sure as hell looks the nicest. It's got great cinematography and a great style. Too bad the movie consists mostly of people sitting in chairs, looking moody and Kristen Scott Thomas having absolutely horrid dinner conversation with his son's hooker girlfriend. Everyone keeps saying how great of a year 2013 was for movies. And I totally disagree. When Ryan Gosling is in two of the ten worst, you know you've got a problem.

05. Mama - Honestly, this was one of the first movies I saw this year, and I am finding it really hard to remember much about it at this point. I do remember that I hated every second of it. That I wondered why Jessica Chastain (who has made flawless acting decisions since breaking out) would even get herself caught up in this mess. And I also remember that the end was so ridiculous that I almost walked out of the theater.

04. Movie 43 - I'm assuming this movie was made for people with the sense of humor of a 12 year old boy because they are the only people I can think of who would find these jokes funny. Yes, menstruation is HILARIOUS. Somehow, the makers of this film (a collection of short films, each grosser than the one before it) managed to get the likes of Kate Winslet, Halle Berry, Emma Stone, Greg Kinnear, Dennis Quad, Hugh Jackman, etc. to sign up for this movie. It's all a great big waste of talent and time.

03. The Last Exorcism Part II - I actually really liked the first one, which was clever and interesting. The sequel is just a paint by number horror movie that is silly and not scary. I like to pretend it never happened, so we'll just move on, okay?

02. Magic, Magic - I rented this for Juno Temple, who I adore. I think she is a super talented actress and I'm always excited when I find out she is starring in a movie. It also features Michael Cera (who gives the single most terrible performance of the entire year) and Emily Browning. It's supposed to be about some sort of mystical and ancient discoveries. It's really just a bunch of young actors sitting around and talking about nonsense, and acting weird for two hours. I kept waiting for something to happen. Nothing ever does.

01. The Lords of Salem - Aren't directors supposed to get better with time? Because Rob Zombie is getting worse with every movie he makes. There was a time (back in his House of 1000 Corpses / The Devil's Rejects) days when I trusted him to make great horror movies. Then he churned out two horrible Halloween remakes. Then he made this, which is, honestly, the worst movie I have ever seen in my ENTIRE LIFE. And I've seen a lot of movies. It stars Sherri Moon (surprise!) and it takes place in Salem, Mass. You're thinking witch trials, right? You're thinking Sherri Moon traipsing around in a sexy witch outfit casting spells on people? That would have been way better than what the movie actually is which is a trippy, Rosemary's Baby wannabe movie about a heavy metal band who turn the women of Salem into zombie-esque killers. Or something. Just know that it's bad. Real, real bad.

This is the End

I'm sort of torn with how I feel about This is the End. When I left the theater, all I could think about was how damn stupid and pointless it all was. But as days pass and I think about it more and more, I'm left remembering the parts that were really funny. Plus, another movie starring most of these guys - Knocked Up - took quite a while to really grow on me. Now I love it, but that wasn't the case when I first saw it.

This is the End stars real life friends Seth Rogen, Jay Baruchel, Jonah Hill, James Franco, Danny McBride and Craig Robinson as themselves. They find themselves at a house party at Franco's new super mansion. Other guests at the party include Mindy Kaling, Michael Cera, Jason Segal, Paul Rudd, Christopher Mintz-Plasse, Aziz Ansari, Kevin Hart, Emma Watson, and, even Rihanna. Soon, the apocalypse happens. Jay and Seth only realize this because they take a party break to walk to a convenience store to get some cigarettes. Everyone at the party think it's an earthquake (or, in one instance, that the Lakers won). Soon, just about every one at the party is sucked into hell except our stars who are left to tough out the end of the world at Franco's house with very few supplies and very weird art.

The best parts of This is the End are damn funny. The two moments that stick out in my mind are their homemade sequel to Pineapple Express starring Jonah Hill as Woody Harrelson, and Franco riffing on art (did you know Subway sandwiches are art??). Pretty much every (limited) line that comes out of Michael Cera's mouth is gold, but they make a huge mistake by killing him off in the first ten minutes. I sincerely love every person in this movie and I have since watching Rogen and Franco on Freaks and Geeks, Baruchel on Undeclared and Jonah (my favorite Jonah!) in everything. That's why I wanted to love this movie so badly. This cast is fantastic and you could tell they are friends in real life. They have a chemistry that is so natural and they make fun of each other the way only friends can. Franco and McBride steal the show by a mile. They are both hilarious and over the top, playing wild versions of themselves. McBride is the loud mouth, trouble starter turned cannibal (!!) and Franco is the pretentious art lover with a sort of obsession with Rogen.

But there are problems here. Rogen also co-wrote and co-directed the film with Evan Goldberg (who he also co-wrote Superbad, probably the best comedy of the last decade, with). I'm not entirely sure they know how to direct a movie, but at the very least they know how to string a bunch of you tube worthy clips together into some sort of cohesive entitity that has a very loose sort of plot and a very general good-natured quality. This isn't entirely a compliment. If these guys want to take the step into directing, they are going to need to learn some sort of craft. They could just always count on calling their funny friends to help them out (although, that seems to work for Judd Apatow). The biggest problem with This is the End is that the basic plot is pretty dumb. And it just keeps getting more outlandish (an exorcism scene) and more outlandish (cannibals) and more outlandish (multi-headed dragons!) and more outlandish (the final scene, which I won't spoil, but which is, possibly, the most ridiculous thing you will see on the screen this year, if not this decade).

So, it's sort of shame that they decided to go in such a far out direction with this film. They could have done an end of the world theme where they didn't really show anything happened but kept it all at a house while a bunch of spoiled celebrities tried to survive while talking about masterbation and while Jonah Hill keeps referring to himself as "America's Sweetheart." It would have been a much better movie, in my opinion. And who knows? Maybe I'll watch This is the End again some time and it will grow on me a bit more. But, for now, the ridiculous aspects ruined what was a perfectly funny movie for me.

Grade: C

Spring Breakers

The biggest problem with Spring Breakers isn't its redundant nature, or even the utter pointlessness of the entire thing, but rather, the fact that it tries too hard. Some movies are shocking, plain and simple. Other movies try too hard to be shocking and just come off as ridiculous or silly. Unfortunately, I think Spring Breakers falls into the latter category.

The film stars a slew of former goodie-two-shoes actresses trying to be taken more seriously as grown ups. Selena Gomez (of Wizards of Waverly Place and dating Justin Bieber fame) is the one who stays truest to her good girl image. She plays Faith, a Christian good girl who basically just wants to have a good time and prance around in her little bikini. There's nothing really wrong with that. Her friends try to be a bad influence on her. Vanessa Hudgens (High School Musical), Ashley Benson (Pretty Little Liars) and Rachel Korine (the director, Harmony Korine's wife) are the ones who try the hardest to break their images. They start the film out by robbing a restaurant at (fake) gun point in order to get money for Spring Break and end the film with Benson and Hudgens having a threeway with a white rapper named Alien (a movie stealing James Franco) before engaging in a pretty crazy shoot out. In between all of this, they smoke weed, do coke, drink tons of beer, and get arrested - all while wearing various bikini's. As far as trashy entertainment goes, the premise of Spring Breakers is fine. But there are other problems.

First of all, the movie is so redundant that it is sort of infuriating. It's like Harmony Korine (who also wrote the brilliant Kids) wrote three pages of dialogue for the movie and then just had his actors repeat the same things over and over. It starts off as a sort of neat ploy - hearing the conversation with a voice over random scenes of debauchery and then seeing the way the convo really plays out - but it gets exhausting after a while. Secondly, the whole movie is sort of pointless. Yes, it's fun. Yes, it's trashy. Yes, there are tons of naked chicks in it. But the movie has very little plot development until the last twenty minutes or so. I have two final problems with the film, that sort of go hand in hand. The first is that the movie tries to hard to be shocking when it's really not. And the second is the fact that these actresses are trying very hard to be gritty and dangerous and adult, but they fall very short of their goal.

As I mentioned earlier, Korine also wrote Kids. Kids is a movie that is genuinely shocking. If you haven't seen it, it's the story of a bunch of 12 year olds who are running around New York City doing drugs and spreading AIDS to one another. It's a devastating movie that feels raw and real, maybe because it starred a bunch of unknown actors which just added to the elevated height of realism. Maybe because Korine wrote a great script and director Larry Clark nailed the gritty realism. Spring Breakers wants to be that kind of movie, but it just seems so fake. It's definitely guilty of trying to hard. It wants to be sexy and shocking, but it fails miserably. That could be because of the leading ladies. They are all trying so hard to break free of their good girl images, but they are only sort of trying. They are okay with pretending to smoke weed and frolick around in bikinis, but nudity? Forget it. They leave that to Rachel Korine and an endless amount of extras. So the entire movie just feels like one big experiment in pretending. It just doesn't feel honest.

Of course, it's not without its good points, mainly James Franco and his hilarious and over the top white rapper, who loves guns, girls, cars and playing Britney Spears on the piano. Franco is truly a joy to watch as he delves deeper and deeper into this new found career he has of doing the most bizarre things he can think of or find.

It seems like I'm the only one who didn't enjoy Spring Breakers, however. It's getting rave reviews. I guess I can see a sort of trashy joy in watching three hot girls in bikinis and ski masks dance around with machine guns while Franco plays and sings Spears on the piano. It is sort of fun in a ridiculous way. It's not like I was expecting Spring Breakers to be some sort of revolutionary experience or anything. I was just hoping to find a bit more (or any) depth.

Grade: D+

Quickies: Contagion, Drive and more!

Win Win - Indie darlings Paul Giamatti and Amy Ryan star as a Midwestern couple who all but adopt a young wrestling prodigy in this charming little film. Giamatti and Ryan are both fantastic in their roles, especially Giamatti who doesn't play necessarily the most likable person in the world. Bobby Cannavale manages to steal every scene he's in, of course. I was expecting just your average indie quirky film but it had a lot more depth and heart that I was expecting. It's definitely worth checking out.
Grade: B-

Contagion - If you think this is just going to be another boring disaster type flick about an epic disease spreading through the world is wrong. This isn't Outbreak. This a great film from director Steven Soderbergh with, probably, the most perfect cast of the year: Matt Damon, Kate Winslet, Gwyneth Paltrow, Jude Law, John Hawkes, Marion Cotillard, Bryan Cranston, Laurence Fishburn. Paltrow goes oversees on a business trip and manages to become infected. When she returns home, she begins to pass the virus to everyone around her. And so it begins. Watch as husbands mourn their cheating dead spouses and struggle to keep their daughter disease free, doctors try to find a cure and trace the beginning, and sleazy journalists try to profit from the whole thing. A great thrilling interesting timely film.
Grade: B

Paul / Your Highness - I could pretty much say the same thing about both of these movies: so much wasted talented!!! Paul is about a couple of nerds leaving Comic Con who discover a real alien and run from the FBI. The wasted comedic talent includes, but is not limited to: Simon Pegg, Kristen Wiig, Jason Bateman, Bill Hader, Jane Lynch and my beloved Landry from Fright Night Lights (a.k.a. Jesse Plemmons). Your Highness is an epic about a stoner knight who goes on a quest with his handsome brother to save his virgin bride from an evil wizard. Not only is it directed by David Gordon Green, the genius who directed All the Real Girls and George Washington, but also it wastes the considerable talents of Natalie Portman, James Franco, Zooey Deschanel and Justin Theroux (and the somewhat lesser talents of Danny McBride). Neither film is funny at all. Both are a huge waste of time and will probably end up on my Worst of the Year list.
Grade: F for both

Drive - This movie has a massive amount of swagger and style from the very first second of the film. You are immediately engrossed in this beautifully filmed story about a stunt car driver for films who finds himself caught up in a crazy world of driving criminals from whatever place they happen to be robbing. And, boy, can he drive. He being Ryan Gosling, who mesmerizes and smolders his way through this film. He's fantastic. As is the supporting cast of Carey Mulligan (who is pretty much Michelle Williams, version 2.0 and that is NOT a bad thing), Bryan Cranston (again!), Ron Perlman and SCENE STEALER EXTRAORDINAIRE Albert Brooks. Seriously, Brooks is sooo damn good, I can't imagine him not being nominated for an Oscar at this point. This movie is simply beautiful, one of the best of the year. It's silent and intense and a great slow burn thriller that goes from zero to extreme violence in the blink of an eye. This movie should not be missed!
Grade: B+

The Green Hornet (DVD)

Well, the good news is that The Green Hornet is not the worst movie of the year. That's not to say it's good, or even average, but it is not terrible. The thing about it is there is a lot of talent involved and it's almost sort of a shame that it is as bad, or really, as grating as it is. Director Michel Gondry is responsible for directing one of the best movies of the 2000s (Eternal Sunshine of the Spotless Mind) and his direction here is fine. It's just a shame he couldn't craft a better film.

The Green Hornet stars Seth Rogen (who also co-wrote with his Superbad/Pineapple Express writing partner Evan Goldberg) as spoiled, cocky rich brat Britt Reid. And there's your first problem. Or actually, first two problems. First of all, I'm sorry but Seth Rogen will never be a charismatic leading man action hero. He's lost a lot of weight and he looks great, but he will always be the slightly chubby, adorable teddy bear of a dude that you meet at a bar and want to get a drink with and maybe eat some burgers and get high and talk about comic books. Second of all, his character is so highly unlikeable that it is nearly impossible to cheer for him in any way. He's a jerk. A rich, spoiled dick who treats his bestie Kato (Jay Chou) like shit and nearly sexually harasses his brand new secretary, Lenore (Cameron Diaz). Anyway, after the sudden death of his billionaire publishing mogul dad (Tom Wilkinson), he takes over the responsibilities of running a newspaper and decides to become a superhero with the help of Kato, who is kind of bad ass and a martial arts expert. Needless to say, Kato does all the work but Reid takes all the credit. They beat up a lot of gang members and drug dealers but the ultimate showdown comes when they get mixed up with the man who practically runs the L.A. crime scene, Chudnofksy (Christoph Waltz).

And there's where it gets mildly interesting. Not the story line. No, that is watered down and so boggled down with mythology and back story and silliness that it doesn't even really matter. I mean, really, the entire third act is a fucking joke, so ridiculous and over the top, that it's not even entertaining. No, the interesting part is Christoph Waltz, who is magnetic on screen. He is evil incarnate, if he wants to be, but also funny as hell. This is why he won an Oscar for his brilliant portrayal in Inglourious Basterds. It's a shame there isn't really much for him to work with here. The terrible script (and Seth and Evan wrote a BRILLIANT script for Superbad!) almost turns him into a caricature, but Waltz manages to craft a bit of a believable comic book villain out of the crap he has to work with. He's simply fascinating to watch. The only other mildly enjoyable parts of the movie were the cameos by James Franco (!!) and Edward Furlong (!!!). Other than that, and I'm sorry to say it, this movie is a mess.

Grade: D+

Oscar Predictions

The Oscars are Sunday so here are my predictions in the major categories...

BEST PICTURE
127 Hours
Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech
The Social Network
Toy Story 3
True Grit
Winter's Bone
Who WILL Win - Unforunately it looks like Sunday night is going to be all about THE KING'S SPEECH, a movie I dislike even more than Slumdog Millionaire when it won everything two years ago. How such a colassal bore of a movie is going to beat some of the better movies of the year is beyond me. I guess at the end of the day, the Academy really is a group of old fogies who are out of touch with society.
Who MIGHT Win - The Social Network is obviously a close second. In fact, it might even upset and if so the sounds you hear will be me shrieking with joy!
Who SHOULD Win - The Social Network. It was the best movie of the year, hands down. But also, I'd prefer just about anything winning over The King's Speech, including Inception, Black Swan, The Fighter and even 127 Hours.
Who was SNUBBED - Since animation has its own category, I'm not a big proponent of having animated films in Best Picture. Instead, how about including The Town? It was awesome. We could even kick The Major Bore / King's Speech out and include Blue Valentine instead. Now, that's a Best Picture group I could get behind.

BEST DIRECTOR
Darren Aronofsky - Black Swan
Joel and Ethan Coen - True Grit
David Fincher - The Social Network
Tom Hooper - The King's Speech
David O. Russell - The Fighter
Who WILL Win - I'm going with DAVID FINCHER. He's been making amazing movies for decades and I'm glad people are finally noticing. I have already accepted the fact that the film probably won't win Best Picture but I'm telling you right now, if Fincher loses I am going to flip my sh*t!!!
Who MIGHT Win - Honestly, if its the King's Speech sweep everyone is predicting than Hooper might just steal it from a much more deserving director.
Who SHOULD Win - Fincher, hands down. He can turn a movie about Facebook into a bad ass film and that's saying a lot!
Who was SNUBBED - Christopher Nolan!!!! This is two Oscars in a row for him being snubbed. First with The Dark Knight and now with Inception. I don't understand the hate for him, frankly. He rocks!

BEST ACTOR
Javier Bardem - Biutiful
Jeff Bridges - True Grit
Jesse Eisenberg - The Social Network
Colin Firth - The King's Speech
James Franco - 127 Hours
Who WILL Win - This is probably the only category that is one hundred percent in the bag. It's COLIN FIRTH all the way.
Who MIGHT Win - I honestly don't think any of these other guys have a chance.
Who SHOULD Win - My vote would go to either Eisenberg, who was truly impressive in a star making turn, or Franco, who completely carried a film the way only Tom Hanks could previously pull off.
Who was SNUBBED - I personally think the Academy tends to snub Leonardo DiCaprio quite a bit. He was snubbed for Titanic, Revolutionary Road, The Departed, and now Shutter Island AND Inception. He deserves an Oscar, so give one to him already!

BEST ACTRESS
Annette Bening - The Kids Are All Right
Nicole Kidman - Rabbit Hole
Jennifer Lawrence - Winter's Bone
Natalie Portman - Black Swan
Michelle Williams - Blue Valentine
Who WILL Win - I think this might be a close race also, but I think it's going to be NATALIE PORTMAN. She's won everything else and deserved to. Her performance is amazing and I don't feel like there has been a shift in her momentum.
Who MIGHT Win - There's a very good chance that Bening could upset. And the sad fact of the matter is that she doesn't deserve to win. People always talk about how she's been snubbed so many times, never winning. But every time she lost it was to someone who was better than her. If she wins this year it's just because people feel bad for her.
Who SHOULD Win - Portman, definately. Her performance was terrifyingly personal and dark and emotional and just perfect.
Who was SNUBBED - Julianne Moore, who I thought was the better half of the acting team in The Kids are All Right.

BEST SUPPORTING ACTOR
Christian Bale - The Fighter
John Hawkes - Winter's Bone
Jeremy Renner - The Town
Mark Ruffalo - The Kids Are All Right
Geoffrey Rush - The King's Speech
Who WILL Win - This is another close race. There's a chance for a lot of upsets on Sunday. However, I'm going with CHRISTIAN BALE. I honestly don't know how anyone could watch his performance (the best or second best performance of the entire year) and not vote for him!
Who MIGHT Win - I feel like Geoffrey Rush is gaining traction. I do believe his performance in The King's Speech was the best thing about the boring ass movie, I don't think he was as good as Bale. In fact, I would prefer to see the categories switched a bit because I feel like Firth was often supporting Rush, not the other way around. Either way, Rush could be the huge upset of the night!
Who SHOULD Win - Hands down, Bale. All of these men gave fantastic performances this year and I can't really complain too much about this stellar category. It's just, Bale was better.
Who was SNUBBED - I personally would have switched out Mark Ruffalo in favor of Andrew Garfield's soulful performance in The Social Network, but that's just me.

BEST SUPPORTING ACTRESS
Amy Adams - The Fighter
Helena Bonham Carter - The King's Speech
Melissa Leo - The Fighter
Hailee Steinfeld - True Grit
Jacki Weaver - Animal Kingdom
Who WILL Win - I would like to say that I predicted this category way before Roger Ebert and all those other critics jumped on my band wagon! I've been saying for months that the tables have turned, Melissa Leo is out and HAILEE STEINFELD is in!
Who MIGHT Win - This is really a category where anything could happen. Weaver gave the best (or second best) performance of the entire year - but did enough people see it? Carter could win on the tailcoats of the most beloved movie of the year - but she didn't have a whole lot to do! The Fithter ladies were both stellar - but could they split votes? Any of these women could win, realistically.
Who SHOULD Win - Weaver. Like I said, she and Christian Bale are duking it out in my head over who gave the better performance of the year. Weaver is quietly menacing, a sweet ole' grandmother who will unhinge her jaw and swallow you whole.
Who was SNUBBED - Since I was entirely unimpressed with Helena Bonham Carter, who I typically love, but who had very, very little to do in the King's Speech, I would probably switch her out in favor of any of the ladies from Black Swan - Mila Kunis, Barbara Hershey, even Winona Ryder.

Ranking the Best Picture Nominees

The Oscars is a week from today and I couldn't be more excited. Later this week, I will make my predictions but for now I am going to rank the 10 best picture nominees, now that I have finally seen them all. Most of them I have reviewed before but a few I haven't, so a mini review will be included as a refresher. Also, the reviews are written the way I would rank them, from best to worst.

THE SOCIAL NETWORK - All that best picture of the year talk surrounding this film is NO JOKE. It's not just "that Facebook" movie. It's fresh, relevant, fast-paced, witty, clever, funny and a damn good movie, featuring the best ensemble of the year (all under 30!). David Fincher directs the hell out of the memorable script by Aaron Sorkin. Grade - A

BLACK SWAN - A beautiful and disturbing thriller set in the world of ballet, Black Swan is Darren Aronofsky's latest with Natalie Portman giving her best performance ever. Aronofsky is fearless presenting us a thrilling movie about the search for perfection in art. It's delightfully crazy and beautiful, intense and powerful. Grade - A

INCEPTION - The most radically original movie since Eternal Sunshine of the Spotless Mind, Inception is a wonderful mindf**k from Christopher Nolan, the man who brought us the brilliant mindf**k that was Memento a few years back. The cast, the story, the effects - everything about this movie is just plain incredible. Also, kudos for that epic hallway scene with Joseph Gordon-Levitt which is a blissfully long way from 3rd Rock from the Sun. Grade - A

THE FIGHTER - You know I can't stop talking about the acting powerhouse performance of Christian Bale (and if he gets upset by Geoffrey Rush, it will be a sin). But this whole movie is an amazing character study about the internal and external struggles to never give up. Sure, it's a boxing film (and the boxing sequences are intense and powerful) but it's also a slow burning character drama that gets inside the heads of these working class heroes. Grade - B+

127 HOURS - An infinitely better film than Danny Boyle's last offering (the overrated Oscar winning Slumdog Millionaire), 127 Hours is an adrenaline rush that doesn't stop and doesn't quit. With a cast of virtually one man - the crazy talented James Franco - 127 Hours is the kind of movie that burrows into your brain and stays there for days. If it wasn't a true story, there's no way you would believe what this guy went through. Thanks to Franco's brilliant performance, this movie is one you won't want to miss. Grade - B+

TRUE GRIT - I have nothing but good things to say about the latest from the Coen Brothers. The cinematography is breathtaking. The performances are spectacular (especially that of Hailee Steinfeld who I am predicting to upset favorite Melissa Leo). It's a well shot, funny, thrilling, suspenseful Western delight. It's just that after leaving the theater, I was a little underwhelmed. Don't get me wrong, I enjoyed the movie immensely. It's a great, enjoyable film. It just didn't hit me and stay with me the way the previous films did. Grade - B

THE KIDS ARE ALL RIGHT - Look, the movie was fine. It's got a solid script and some very good filmmaking, but it's really the performances that make it worth it. Annette Bening and Julianne Moore go toe-to-toe as lesbians in love who deal with their sperm donor (a delightful Mark Ruffalo) showing up and making himself part of their lives. It's a wonderful modern love story with starkly realized characters that you feel like you truly know. However, sometimes it's just a little too Lifetime movie of the week for me. Not that there is anything wrong with Lifetime movies. They just shouldn't be Best Picture nominees. (If you remember, I felt the same about Precious last year and I feel the way about the next movie...) Grade - B-

WINTER'S BONE - Another movie that feels way too much like a Lifetime movie to deserve a place in the Best Picture lineup. I'm not going to lie, the performances here are sensational. In fact, Jennifer Lawrence would be my first runner up to Best Actress winner (finger's crossed) Natalie Portman. She's only 20 now, (she was probably 18 when they filmed) and her performance is so subtle and nuanced, it's like a performance by someone twice her age and with twice her experience. John Hawkes nominated supporting turn is spell binding as well. The movie was just, well, kind of boring. Grade - C+

TOY STORY 3 - Okay, look, I'm not a big fan of animated movies. I'm not going to lie. The last animated movie I truly loved was Beauty and the Beast and that came out when I was something like 7. Since then, the ones I've seen haven't impressed me all that much and I try to stay away from them as much as possible. But I truly did give this movie a chance. It just all seemed a little too pretentious, winky, cheeky, look at how smart we are, to me. I'm fully admitting it's not my thing so take this with a grain of salt but I hated the damn movie until... that ending. That beautiful, sweet, sad, adorable ending which made the whole pile of shit worth it. This movie was a hard D going into those last ten minutes but those ten minutes made things so much better. Grade - C

THE KING'S SPEECH - It blows my mind that such a colossal bore of a movie is going to (probably, but hopefully not) beat The Social Network, one of the most exciting movies of the year, for Best Picture at the Oscars next week. The filmmaking was fine (a bit weird at times... what was with those creepy close ups at the end??). The performances were all very good (especially Firth who was excellent, although, methinks, not as good as Franco, and what the hell with them wasting the talents of Helena Bonham Carter??). There were parts of the movie that were interesting and funny and a little amusing. But all in all? Boring! Really, really, really boring! And pretentious! And, also, really what was with the way they reacted to him finally giving a speech without stuttering at the end?? Like he had cured f**king cancer or something? Geez. Grade - C-

Top Ten List - Best Actor 2008

10. Richard Jenkins in The Visitor - One of the best character actors out there, Jenkins delivers a subtle and emotionally complex leading man performance. He's charming, nuanced and completely natural.

09. James Franco in Pineapple Express - Even the picture on the cover is hilarious. Franco shines as a drug dealer who is surprisingly deep in this comic gem from the summer. Franco, who is usually a brooding, serious leading man, shows he can do comedy with just as much ease.

08. Frank Langella in Frost / Nixon - My distaste for the movie is maybe why he's so low on my list. Langella, however, does become Richard Nixon. It's a great and total transformation. The movie may not be spectacular but his performance is awfully good. He steals the show.

07. Robert Downey Jr. in Iron Man - It's the perfect role for Downey, actually. He's always been a person who I thought of as charming, witty, just a little cocky. That's who Tony Stark is, essentially as well. Downey probably had no trouble channeling those traits to use for the role. He also managed to be heroic as well.

06. Sam Rockwell in Snow Angels - Probably one of the most underrated actors out there, Rockwell always shines playing complex characters. This time around he's playing a born again Christian struggling with his demons and with his ex-wife moving on when all he wants to do is work things out. It's a frighteningly real performance.

05. Phillip Seymour Hoffman in Doubt - Hoffman and Streep go toe to toe and prove that they are two of the living greats. Hoffman has a difficult job - making his priest seem trustworthy and honest but still managing to make him just a little creepy. You don't know if you should trust him or not. There's a particular scene between Hoffman and Streep and I didn't think either one of them was going to make it out of there alive!

04. Leonardo DiCaprio in Revolutionary Road - His Frank Wheeler is deeply complex. And DiCaprio plays him with such ease. Maybe its because he's such a phenomenal actor. Maybe it's because he's with Kate again. But his performance here just may be his best ever (or, maybe, second only to The Departed). Frank is unhappy and lonely, struggling with the fact that his wife may not love him anymore. Winslet's got the showier, louder role, for sure, but DiCaprio is perfection as well.

03. Colin Farrell in In Bruges - It's been a long time since we've seen what Farrell could do acting wise. He's long just been a tabloid staple. But guess what? That potential that we all saw back in the days of Phone Booth, that has had everyone saying for the last decade, "If only he could find the right part..." well, it finally shines through. In Bruges is the right part for Farrell and it manages to show his range. He could be depressing, funny, charming, dark and witty all at the same time. I knew he could do it.

02. Mickey Rourke in The Wrestler - Probably the comeback of the year, it's nice to see Rourke, who was once considered the next Robert DeNiro, on top again. Darren Aronofsky took a chance on him and it pays off. The movie is about a wrestler struggling with the fact that his career is just about done, he has burned every bridge in his personal life, his youth is gone, his looks are gone, he's damaged himself physically and emotionally for years and years. Rourke probably didn't have to look far for inspiration.

01. Sean Penn in Milk - I'll say it right here and now - Sean Penn is in the top three of the greatest living actors. I can't decide yet where he would fall in the top three, but he's definitely in there. Penn becomes Harvey Milk. He inhabits this sweetness (yes, sweetness... yes, Sean Penn) and charm and becomes Harvey Milk. We're so used to seeing him play characters who are fiery and intense. Here he takes that passion and channels it in a different way. He plays Harvey to perfection, helping to create one of the two best performances of the year (he's probably tied with Ledger). Penn never ceases to amaze.

Tomorrow - Best Films!

Top Ten List - Best Supporting Actor 2008

10. Joseph Gordon-Levitt in Stop Loss - The first good performance of the year, Gordon-Levitt plays the role of a man dealing with being back from war the way he plays every role - with unbridled passion and talent. To say he's one of the best actors under thirty is an understatement.

09. Aaron Eckhart in The Dark Knight - Eckhart may not give the best performance in the film (more on that later) but he does play the only character with any sort of arc and he plays it extremely well. He starts off as a stand up man full of principle and morality and ends up as a hateful villain.

08. John Malkovich in Burn After Reading - One image from 2008 that I will never forget? John Malkovich coming off a boat dressed in a bath robe holding an axe. His disgraced CIA agent is hilariously on edge. One of the many reasons I celebrate Malkovichmas.

07. Josh Brolin in Milk - Slowly unraveling. He's a coiled ball of nerves. He may not be my favorite of the supporting men of Milk but he is responsible for the single best scene of the movie - a drunken encounter with Harvey at a party. Brolin just keeps getting better.

06. James Franco in Milk - Is anyone sweeter than Franco in Milk? I don't think so. He stands by his man through much of the film and even after they break up, he's still there in spirit. Kudos for saying the line "if I hear about politics one more time tonight I'm going to stab you with a fork" and still managing to sound adorable.

05. Emile Hirsch in Milk - At the beginning, he's a tough talking kid. A queen if there ever was one who just wants to party. Near the middle, he's responsible for one of the most moving scenes as his Cleve Jones describes the unspeakable hatred he saw in Europe. Hirsch is moving and powerful.

04. Robert Downey Jr. in Tropic Thunder - What could have easily become an offensive off-putting performance was elevated to something that everyone could laugh at thanks to great writing... and Downey's fantastic performance. He manages to be hysterically funny while still raising poignant thoughts about racism and even method acting.

03. Michael Shannon in Revolutionary Road - I have been a fan of Leonardo DiCaprio's for my entire life / his entire career. There's never been a time when I thought he was out done by any other actor - even when going head to head with Jack Nicholson in The Departed. Still, there is a particular scene in Revolutionary Road where DiCaprio and Shannon get in a rather heated argument. During this scene, I thought to myself, "Man, Shannon is acting circles around Leo!" Shannon is out of control in this movie - a continuous explosion that just shakes everything to its core.

02. Michael Pitt in Funny Games - Imagine a killer being the most polite, kind, cutest boy you ever saw? It's terrifying, right? Pitt plays the young killer of Funny Games so straight and sweet that it makes it the most terrifying thing you've ever seen. All at once, he's frightening, hilarious, kind, chilling and fiercly intelligent.

01. Heath Ledger in The Dark Knight - Is there anything left to say about Ledger's outrageously perfect performance? I don't think there is. He really, really, really is as good as everyone says. Actually, he's probably better. With every viewing, his performance becomes more effective and more entrancing. The most perfect performance of the year. Hands down.

Tomorrow - Best Actress!

Oscar contenders arrive - Men who age backwards, nuns and political activists, oh my!

The Curious Case of Benjamin Button - Benjamin Button is maybe the most fascinating man you'll ever meet. Born with a warped face and amidst doctors warnings that he wouldn't live very long, his birth father abandoned him on the back steps of an old person home where the loving and caring Queenie (Taraji P. Henson) found and raised him as her own. As Benjamin (Brad Pitt) beat the odds and grew up, he may have looked like the other old men in the house but he sure didn't act like them. As his life progressed, he became younger and younger, living a full and amazing life. He left home to join a tugboat captain (Jared Harris, stealing scenes as usual) and eventually join a war. He met the alluring Brit Elizabeth (Tilda Swinton) and a host of other interesting characters. But it was the lovely Daisy (Cate Blanchett) who was the love of his life. While she aged normally, he aged backwards - could their love ever really work out? Based on the line "youth is wasted on the young," the film is a moving and emotionally harrowing journey through the life of one man. David Fincher directs the hell out of this film which has a great script and great performances. For as slow as it moves in the first half, the emotional aspect is kicked into high gear in the second half and it becomes a near masterpiece. There are so many moments of brilliance that it makes up for it's uneven beginning. Brad Pitt is the star but it's more about his journey than his acting. The acting stand outs, for me, came from a trio of fabulous women - Swinton who is all toughness and sophistication, Henson who is the heart and soul of the film and knocks it out of the park (let's start the Oscar campaign now!) and Blanchett who takes Daisy's vain, self centered nature and turns it into something that actually works. There is no one more beautiful than Blanchett as she dances in the fog. Overall, The Curious Case of Benjamin Button is a beautiful journey well worth the time.
Grade: A-

Doubt - There is a particular scene at the end of the film between Meryl Streep and Phillip Seymour Hoffman that just proves these two are arguably the two best working actors today. I didn't think anyone was going to make it out of that scene alive. Streep is the stubborn and stern Sister Alyisous who begins to think that Father Flynn (Hoffman) had an inappropriate relationship with the only black student at the school. Stripped down to just four main characters - Amy Adams as the naive and sweet (and I think the key to making your final decision about Flynn's innocence or guilt) Sister James and Viola Davis who has one powerful scene as the boy's mother - the film is very character driven with intense dialogue and a great, well written story. John Patrick Shanley is indeed a fantastic writer. I'm not convinced he is a great director, however. He's making a character/dialogue driven film but spent much of the first act using strange camera angles to tell a very simple story. His choices at times were very distracting from the effectiveness of the script. The performances, however, make up for it. Every one is making a huge deal about Viola Davis and I admit she was quite good. However, and maybe it's because I've been hearing for so long about how amazing she is, I didn't think she was quite as riveting as everyone else. Instead, in the supporting actress character, I felt Adams' more subdued and understated work was far more impressive. Then there's Streep and Hoffman and, like I said, they were pheneomenal in every way.
Grade: B+

Milk - There may be a more touching, gripping, emotional, politcally timely, perfect film released this year... but I haven't seen it. Milk is everything a movie should be. Directed by the fantastic Gus Van Sant (he has directed two of the best this year - Milk and Paranoid Park), Milk tells the true story of Harvey Milk (Sean Penn), the first gay man elected to public office in the late 1970s in San Francisco. It follows his long journey to the top - where he ran for office numerous times, losing over and over again before finally winning and fighting for gay rights, human rights before being shot down by a disgruntled co-worker, Dan White (Josh Brolin). Milk surrounded himself with a group of young, empassioned followers who helped rally the gay community, including Cleve Jones (a fantastic Emile Hirsch), Anne Kronenberg (Alison Pill, the spitfire) and two boyfriends including the long suffering Scott (James Franco) and the needy and smothering Jack (Diego Luna). The script is face paced and well written. Van Sant sticks to straight directing, for the most part. However, there are a few of his little artsy moments thrown in there and it adds to the film, for sure. Whether he's directing art films or more mainstream work, Van Sant is one of the most daring and interesting directors working today. Of course, the cast is amazing. If all is right in the world (which, of course, it's not) the men of Milk could all but over run the Supporting Actor category. Franco, Brolin and especially Hirsch are all fantastic. But, of course, this is Penn's show and he embodies Harvey Milk like you wouldn't believe. Known for his moody and intense work, it's refreshing and lovely to see him play someone a little more carefree and emotionally open. His performance is Oscar worthy, for sure and I'd love to see him win a second Oscar. The best thing about Milk, however, is how very timely it is. With the recent passing of Prop 8 (which is much like the Proposition 6 that Harvey fights so tirelessly against in the film), it's clear to see that after thirty odd years, Harvey's fight is still not over. This movie should be a rally cry, a call to people to come together and stand up for gay rights, civil rights, human rights.
Grade: A+