The Lincoln Lawyer

I don't want to get too excited here but I will say this: The Lincoln Lawyer is the best movie of 2011, so far. The thrill of FINALLY finding a movie that is actually good this year may cloud this review just a bit; after all, it's been months and months of crap at the theaters. So, I'm going to start off with the negatives just in case this becomes a review where I praise the hell out of this movie. First of all, one of my biggest pet peeves in a movie is something I call the false ending. That's where you think the movie ends more than once before it actually ends. This movie has about five of those. And it really irks me. I think a lot of crappy decisions in the writing of a film can be forgiven with a really great ending. But, guess what? If you have three or four ideas for a great ending, don't use them all! It's overkill. That is my biggest problem with the film. Other than that, it's all minor things - it meanders in pace from time to time, I wish parts of it had been a little more ambiguous, some overstating of the obvious. But, really, that's it!

The Lincoln Lawyer stars Matthew McConaughey as Mick Haller, a cocky, effortlessly charming defense lawyer whose office is in the back of his car (a Lincoln, hence the title). His m.o. is getting criminals out of jail, druggies, murderers, it doesn't matter as long as the pay checks show up. But then he takes on the case of a pretty rich boy (Ryan Phillippe) who is accused of beating the hell out of a girl he met at a bar... who just so happens to be a prostitute who may or may not have devised this evil plan to get millions of dollars out of the spoiled rich kid, Louis. And that's basically it. Sounds simple, but there are twists and turns and damn great storytelling that will keep you on the edge of your seat. This is an intense legal thriller that has a great feel about it, a gritty, dirty tale of redemption in Los Angeles.

McConaughey gives the best performance of his career as the caddish lawyer who seemingly develops a conscious over night. I'm not his biggest fan but (and I'd truly like to see if he is actually a good actor by having him branch out and do something different, something that shows his vulnerable side) he is solid in this role. It's right in his wheelhouse - effortlessly cool, calm, funny, cockiness under the surface. Another performance that is in an actor's wheelhouse is that given by Phillippe. Again, not his biggest fan, but I do think some of the criticism of him as a "wooden" actor is unjustified. He'll never be the type of actor who can do any kind of role. He's not Meryl Streep, for Christ's sake. But when given a certain type of role - cold, possibly conniving, pretty rich spoiled brat - he nails it. And it's because of his "wooden" acting that allows him to embody seemingly devious characters. The audience is never sure if they should trust a word he says and Phillippe is sort of perfect for a part like that, probably because you're not sure if you like him in real life. The rest of the cast is pretty stellar as well - William H. Macy as Mick's investigator bestie, lightening the mood with his humor and wit, Josh Lucas as the up and coming lawyer from the district attorney's office who isn't above playing dirty, Michael Pena as a possibly innocent man in San Quentin, John Leguizamo as a squirrely bail bondsman, Bryan Cranston as a hardnosed cop, and my man Shea Whigham who all but steals the damn movie in one perfectly played scene. Then there are the ladies, Marisa Tomei as Mick's lawyer ex and Frances Fisher as Louis' tough as nails mom, who are terribly, terribly, terribly under used. That is another of the problems I have with this movie. The men all have riveting, interesting roles. The women? Not so much! Why not hire nobodies? They are wasting the talents of Tomei and Fisher with empty roles.

Overall, the acting is excellent (most of the men are already gracing my best of 2011 lists... although I'm sure some of them won't make the cut once the heavy hitting movies are released). The plot is solid and tight and grabs your attention from the beginning and barely lets you go. The writing is smart and witty. There's a great soundtrack and the film is evenly paced and doesn't flounder or lose it's way too often. The direction is raw and gritty, and I personally like all the handheld camera work although I could understand where it would annoy some as being unnecessary. The Lincoln Lawyer is based on a book in a series by Michael Connelly which means there may be a franchise. I, for one, say bring it!

Grade: B

Coming soon: Reviews of Limitless, Sucker Punch, and more!

Stop Loss, Horrorfest, April Movie Preview + more...

Stop Loss - It's been a long time since Kimberly Peirce has graced us with her presence. She, of course, made the amazing Boys Don't Cry way back in 1999 (that movie is the single reason why I still even bother with Hillary Swank). Well, it was worth the wait. She's back with Stop Loss, a gritty, powerful war film that is more about characters and friendships than politics and George Bush. Peirce could have easily taken the easy way out and made a film full of propaghanda and extreme liberal thinking. Instead she made a smart film with no real political agenda. It doesn't glamourize desertion. It's not anti-war. Instead, it focuses on the men who volunteered to fight for our country. This is a movie about soldiers and, if anything, it respects them immensely. The story follows two childhood friends serving together in Iraq - Brandon King (Ryan Phillippe) and Steve Shriver (Channing Tatum). They arrive back in Texas after their tour ends with friend Tommy Burgess (Joseph Gordon-Levitt who is absolutely Oscar worthy - more on him later). All starts well with a night of drinking and dancing. Steve is excited to get back to his fiancee Michelle (Abbie Cornish) but soon drunken fun turns into fights. After that, King learns he has been stop lossed. Instead of being released from the service as his contract states, he is being sent back to Iraq thanks to a clause in the finest of print. This doesn't exactly make him happy and he chooses to fight it instead of go back to war. He figures he's done fighting for his country. He did his job and now it's the armies turn to live up to their side of the agreement. And guess what? You can't really argue that he's wrong. The film is absolutely solid and riveting. It meanders a bit for my taste. I would have prefered much more time with the great ensemble of characters instead of focusing so heavily on Phillippe and Cornish as they cross state lines to try to get answers and help. The acting is all top notch. Phillippe, who is usually very hit or miss for me, is superb and does some very emotional, gritty work. War films usually leave very little for women to work with but Cornish does a great job of playing a woman trying to deal with her fiancee seemingly choosing war over her. Tatum is amazing as well. (I just need to say this - as a film fanatic, I want to thank Kimberly Peirce for this movie, but as a woman, I want to thank Kimberly Peirce for the scene of Tatum digging a foxhole in his underwear). It's tiring to hear people complain that Tatum can't act. Clearly, they haven't seen A Guide to Recognizing Your Saints. And they can't really say that after seeing this movie either. He doesn't have the biggest role but he does wonders with what he has to work with. Then there's Gordon-Levitt. I think it's pretty clear how I feel about him. He's, hands down, the best actor under thirty (forty, even, maybe). He's done increasingly impressive work ever since Manic. His performance here is really amazing. He gives layers and layers of rage that can only be hinted at on a page. He plays an alcoholic who enjoys target practice with the marriage presents he and his wife (Mamie Gummer) recently recieved. He's a little bit funny, a little bit tragic and just plain outstanding. His final scene is riveting. In the hands of a lesser actor, his character could have been completely forgettable but instead, Gordon-Levitt has instead created the perfect picture of a haunted and tormented soul. His performance is amazing and the movie is really the first truly good verging on great film of 2008.
Grade: B+

Wristcutters: A Love Story - Now this is my kind of movie! It's a unique and original idea - people who commit suicide and end up in a place that is just like life only worse. It stars Patrick Fugit and Shannyn Sossoman. It's wacky and enjoyable and quirky and funny and a little depressing but mostly uplifting. It's not exactly groundbreaking or anything but it does serve as a reminder that sometimes you can find beauty in the strangest of places.
Grade: B+

Horrorfest 2008 continues...
Tooth and Nail - I hope I haven't peaked so soon. Last year it took me until near the end of my run to find The Hamiltons and so I appreciated it all the more. I really hope Tooth and Nail isn't the best Horrorfest 2008 has to offer. I mean, it's good compared to the rest of the crap they churn out but it's nothing fantastic. It's a solid 'end of the world' story (I've been watching a lot of those lately) and has it's creepy moments, for sure. It stars Rider Strong and Rachel Miner as a group of survivors during the apocolypse who hide in a hospital to fend off evil cannibal rovers led by the great but underused Michael Madsen. It's interesting how this movie chose to have the world end. Not by war or virus or bacteria. We simply run out of oil. And guess what? That's totally believable to me. The acting is mediocre and the writing is too. It's cheesy at times and a little over the top. Still, for what it's worth, it's not a bad little horror movie.
Grade: C+
Lake Dead - And then there's this... It's like Texas Chainsaw Massacre meets Lake Placid meets The Hills Have Eyes meets some random soft core porn all done by a hack with little talent. And that's putting it nicely. Even mentioning two of those movie titles in the same paragraph with 'Lake Dead' makes me a little sick to my stomach. There is no originality, no style, no substance, no scares, nothing. I just... there's nothing really more to say. It's not getting an F just because there were times when I thought it could possibly be one of those 'so bad it's good' horror movies but it never even gets to that point. Sad.
Grade: D-


April Movie Preview...
April 4
Leatherheads stars George Clooney, Jim from the Office (ha) and Renee Zellweger. Two out of three ain't bad, I guess. Then there is The Ruins. This one has me interested. At face value it looks like just another cheesy horror movie. However, starring Jena Malone never really hurt any movie. Then there is the fact that it's based on a totally rad book. Makes things a little more interesting, now doesn't it? Now that Martin Scorsese has won his Oscar, he can pretty much do whatever the hell he wants... like make a concert film about the Rolling Stones called Shine a Light. I'd pretty much see anything Scorsese made, even if it was a movie about dentists drilling teeth or something.

April 9
Young @ Heart opens in limited release and looks so fricking great I can barely stand it.

April 11
All I can say about Prom Night is - what are these people thinking with the horror movie remakes? Still, I'll probably see it just so I can complain about how people don't have original ideas anymore and they have to taint the name of great original horror movies and no one can make a good horror movie anymore and blah, blah blah. Smart People stars Sarah Jessica Parker (who is NOT the unsexiest woman in the world and I don't care what some stupid magazine says) and Ellen Page. Two of my favorite people together in a movie? You know I wanna see it!

April 18
Al Pacino is BACK in 88 Minutes, a movie about a professor whose life is threatened after he maybe helps lock up the wrong man in a series of murders. It may be cheesy or it may be great. I'm not decided how I feel about it yet. Then there is Forgetting Sarah Marshall which is Judd Apatow's next chance to actually win me over to the dark side. By the way, Mila Kunis > Kristen Bell. Oh, and Bill Hader!!

April 25
Amy Poehler and Tina Fey may be a match made in heaven in Baby Mama. Or it may turn out like The Brothers Solomon, a similarly plotted film that looked great on paper but not so much on film. Deception stars Michelle Williams, Ewan McGregor and Hugh Jackman. I'm not entirely sure what it's about but the cast looks great! Then there is Harold and Kumar Escape from Guantanamo. Yep. You heard me.