Gravity

I feel like I should almost write two separate reviews for Gravity because I have such warring thoughts about the film. On one hand, it is such a visual, technical achievement that I want to heap tons of praise on it, but on the other - that script, or lack thereof.

The opening thirty minutes or so of Gravity are spectacular. They are mind boggling, spellbinding, and glorious. Director Alfonso Cuaron has managed to create a world that is so absolutely epic and wondrous that it blows your mind. This is brave new world of film-making, right here. The future is now and Cuaron has managed to craft a film that is technically perfect. It brings you into the wonder of space (which, I'm sorry, but shit is terrifying. I don't know why anyone would ever want to go to space) and manages to create a film that is rebellious, revolutionary, minimalist and epic all at the same time. The beginning of this film is so far and away from a mainstream sci-fi movie that it feels jarring. This is an art house film with crazy good CGI. Sure, it stars Sandra Bullock and George Clooney, two of the most famous and most likable people in acting, but other than that, this doesn't feel like that kind of star studded film. Bullock is a genius doctor, in space reluctantly to attach a protocol she has invented to a satellite. She is terribly uncomfortable and sick in space, which juxtaposes nicely with Clooney and his retiring astronaut who loves space so much and just wants to brake the space walk world record. Soon, debris from a nearby satellite mishap is flying around them and all hell breaks loose. Hell is not aliens in space. No, hell is drifting all alone into the endless blackness with no radio contact and absolutely no knowledge of how the hell you are going to survive. Of course, Bullock's Ryan does survive this thanks to Clooney saving her ass. The two make their way back toward the International Space Station, and that's when the move sort of lost me.

Those first thirty minutes or so are as damn near perfect as one could get in film-making. It's epic to watch, an absolute wonder, like you are seeing something for the first time. I kept thinking to myself, "My Lord. This is the best movie of the year by a mile." But then something happens. The first act relies so heavily on out of this world imagery and visuals and the direction, cinematography and camera work is so damn great, that it fools you into thinking you are watching a better movie than you really are. I am not saying Gravity is not a good movie, because it definitely is. But it's no masterpiece of movie making. It is a visual masterpiece, a technical one. But, as far as movies go, the lack of attention paid to the script really starts to be noticeable as you get further into the movie. And the movie just sort of continually gets worse. The first act is perfection. The second act is not so bad, especially the fake out ending which I sort of enjoyed. Then the final act is almost atrocious. The ending panders so much toward making sure the audience is happy with it, that it is sort of insulting. Where is the rebellious spirit of the first act?? It's long gone by the time we reach our conclusion, such a watered down thing that it really left a bad taste in my mouth. Which is not how I wanted to feel leaving this movie, especially after the powerhouse first act.

Another problem are the characters that aren't entirely fleshed out. Another by-product of spending all your waking moments on visual effects is that you lose the characters. The role Clooney plays isn't that large so he can get by on his charm alone. But Bullock has to carry this film and I'm not quite sure she does. It's not her fault. She is tremendous with what she has to work with and her performance especially gets great near the end. There is a ten or fifteen minute scene where I figure she has her second Oscar all wrapped up. Still, her character is weighted down with some sob sad back story to make her more likable, but all it really does it lend a cheesy sort of factor to the film. Why can't she just be a smart, strong woman? Why does she have to have this back story pushing her the whole movie? Again, to pander to a mainstream audience, probably.

For me, to enjoy Gravity from start to finish, you almost have to not think about it as a movie, and maybe think of it as an experience. The story and the characters take a back seat to the visuals here, and maybe that's okay for some. But since I'm talking movies here, it's not exactly ideal. I sincerely wish the entire movie had been more like the first thirty minutes, because those were the best moments I saw on a movie screen this year.

Grade: B

The Descendants & Beginners

The Descendants - I will fully admit this right now: I didn't like Sideways either. I guess "either" is a strong word. It leads you to assume that I didn't like The Descendants, which isn't entirely true. It's not that I didn't like it. It's just I sort of felt the same way about it as I do about every other Alexander Payne movie. It's good, solid story telling, acting and film making, but all terribly overrated. The Descendants follows Matt King (George Clooney - this is his best work ever, no joke), a Hawaiian lawyer who is dealing with selling his families pristine beach when his wife hits her head while boating and falls into a coma she may never come out of. To top it all off, he has two daughters: a 10 year old who sends nasty texts to her classmates and a 17 year old at a boarding school (a really, really superb Shailene Woodley) who is all kinds of messed up. Then, to make matters worse, he finds out his loyal and devoted wife was cheating on him and preparing to leave him for a real estate agent (a surprisingly well-rounded Matthew Lillard). So, Matt deals with his crazy daughters and traipsing around the islands to tell different friends and family members about his wife's condition. He meets with cousins of varying craziness to discuss proposals about selling the land. He deals with daughter Alex's annoying maybe-boyfriend (really, the only character that you want to punch in the face and guess what? Someone does!). Then he decides to track down his wife's lover, Brian Steer to confront him and maybe fight him, only to discover that he's a happy family man who never really loved Matt's wife the way she loved him. By this point in the film, if you're a little bored, don't fret, the fantastically underrated Judy Greer shows up to steal the whole goddamn movie (well, almost, Woodley is stupid good too). So, there you have The Descendants. It's great, sad story telling. The film making is amazing. There are two scenes in particular that are flawless: the spiral staircase scene and the scene where Alex begins to sob underwater which was my single favorite moment of the movie. The acting is surprisingly good all around. Clooney and Woodley will surely be nominated for Oscars for their complex, layered, flawless performances. Clooney is charming and flawed. He looks handsome and destroyed. Woodley is a revelation. I was a skeptic. I didn't think some teenybopper from some dumb ABC Family show could really be that good - but I will fully admit that I was wrong. She is so, so very good, just empathetic and full of sassy attitude, angry, depressed, sad, happy, sometimes all at the same time. Greer turns up around 3/4 through the film and all but steals it away from everyone else. But her role is so small, she probably won't get any nominations out of it. So, The Descendants is good, it's just not THAT good, the level of good that everyone is saying it is. It's slow moving. It's boring at times. It's too long (and that's coming from someone who LOVES long movies). Plus, there is way too much annoying voice over at the beginning. Still, The Descendants is worth checking out, because there is still a lot of good in there.
Grade: B

Beginners - Now here is a surprising little film. It all but came out of nowhere to tie with The Tree of Life to win Best Film at the recent Gotham Awards. I can't say I'm surprised. It's lovely, heartfelt little movie. It follows Oliver (Ewan McGregor, superb), an artist who is struggling with getting to know his dying father (Christopher Plummer, Oscar worthy) who, after being married for 44 years has come out of the closet as a gay man. Meanwhile, Oliver is also trying to take a page from his father as he attempts to start his life over and forge a relationship with a quirky, adorable French actress (Melanie Laurent). It's a simple, little story and could end up cliched in the hands of a lesser cast and filmmaker, but instead, Beginners is a different, original, funny, sad, heartwarming take on a tired genre. Writer and director Mike Mills is fantastic, adding humor and quirky little extras (a dog that talks via subtitles) to the film. McGregor, who has a lot of misses on his resume due to the crap he's been making for the past decade or so, is really, really great, as is the adorable Laurent. Their initial meeting is instantly classic. But, it's Plummer, who recently received his very first Oscar nomination at the age of 70something for The Last Station, who is mesmerizing to watch. Plummer is so good - alive even though is character is dying - that he should not only find himself nominated for a second Oscar, but also, probably winning.
Grade: B+

Horror Movie Month + The Ides of March

Horror Movie Month - Masters of Horror: Cigarette Burns
The stars: The ridiculously sexy Norman Reedus
The plot: A theater owner in debt searches for a super rare film in order to make some cash. Said film is a foreign movie that was only shown once in public. Seems everyone who sees it becomes a homicidal maniac.
The scares: It's not scary at all, but interesting. The premise is pretty great although I'm not sure it's executed well. Shame on you, John Carpenter.
The body count: It's hard to tell if things are happening for real or all in his head. Maybe 5.
The grade: C+

Horror Movie Month - I Spit On Your Grave
The stars: Sarah Butler
The plot: In the remake to the BEST REVENGE MOVIE OF ALL TIME, a young writer goes to a secluded cabin alone to work on her next novel. She is brutally beaten and rapes by a group of local men who leave her for dead. A month later she seeks revenge.
The scares: Not scary at all, but disturbing and gory as hell. (Although the part where a certain person gets their eyes pecked out by birds scared me to death, but maybe only because I'm terrified of birds).
The body count: Five. And they all deserved exactly what they got.
The Grade: Not nearly as good as the original... C-

Horror Movie Month - Seconds Apart
The stars: Orlando Jones
The plot: Two creepy twins use their powers for evil instead of good and wreck havoc on the mean kids at their school.
The scares: Not so much. It's actually pretty stupid and pointless, to be honest. The twins are creepy though. Too bad they aren't in a better movie.
The body count: Seven.
The Grade: D

The Ides of March - Ryan Gosling continues to knock it out of the park, giving his second amazing starring performance in the last two months. First up was his cool and collected performance in Drive. Now he is the star of the best ensemble cast of the year in the political drama The Ides of March. Gosling stars as Steven, a hot young campaign manager who is working for the next would be president (George Clooney). The governor seems perfect and it seems Steven and his colleagues (including Phillip Seymour Hoffman) can't lose. However, throw in a troublemaking journalist (Marisa Tomei), the opponent's sneaky manager (Paul Giamatti) and a sexy young intern (Evan Rachel Wood) and you've got yourself one hell of a movie. Like I said, this is the best ensemble of the year with everyone giving amazing performances. Clooney is also the director and he does a damn good job. The writing is sharp and crisp and the story is engaging. This one is a sleeper for the Oscars next year. It's definitely a great film!
Grade: B+

Precious / Fantastic Mr. Fox

Precious - In a word: devastating. Half of Precious is really as good as everyone is saying it is. The other half, well, we'll talk about that later. The story follows an illiterate overweight Harlem high school girl named Precious. She's currently pregnant with her second child, both fathered by her dad. Her mom is abusive, to say the least. She daydreams of being a blonde girl and starring in rap videos. The story itself is half gritty street tale and half lifetime movie. The movie, for me, lives and dies by the performance of Mo' Nique. Mo' Nique, Mo' Nique, Mo' Nique. My Lord, she is amazing. Even without that last knockdown dragout scene in Mariah Carey's office, her performance is amazing. But when she adds those layers onto her abusive character, well, it's really Oscar gold. If she doesn't win come March, it'll be a crying shame. Newcomer Gabourey Sidibe is solid as Precious as well. She has a level of honesty and realism that is refreshing and welcoming. Paula Patton as a sweet, caring teacher is a revelation as well. She just exudes warmth. Then there's Carey. Everyone is all a-twitter about how she uglied herself up (or down) for the role. She impresses with her small role as a social worker but she's really just there to play opposite the single best scene in the entire movie. Precious is depressing as hell but it's also strangely uplifting. Like I said, though, only half of the time. When I wasn't feeling emotionally wrecked, I was feeling like I was watching a made for TV lifetime movie. That's not necessarily a bad thing but when half of your movie is so damn good, the other half shouldn't feel like it's so inferior. Still, Precious is definitely worth watching if only for Mo' Nique's AMAZING, AMAZING, AMAZING performance. I can't sing her praises enough.
Grade: B / B+

Fantastic Mr. Fox - I'm finding Fantastic Mr. Fox to be a difficult movie to review. Everything I've heard about it has been so blaringly positive that I feel if I say anything negative about the movie it would be taken as treason. I am, indeed, a Wes Anderson fan (although I admit I'm a bigger fan of co-writer Noah Baumbach's work). I love his quirky, offbeat sensabilities. I think The Royal Tenenbaums and Rushmore are two of the most brilliant movies in recent years. Still, there's something about Fantastic Mr. Fox that didn't quite gel with me and I can't exactly place my finger on it. I mean, clearly this movie was made for Anderson fans. I can't imagine who else would go see it. It's too dark for children and too offbeat for most adults. As an Anderson fan, I think the movie is great - charming, witty, full of likeable yet terribly flawed main characters (voiced by George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Owen Wilson, Willem Dafoe etc.). Visually, it's simply stunning. I've actually never read the book so I can't compare the two but I feel Anderson probably took some liberties and I hope he didn't take anything away from the original work. As a fan of movies, however, there was something lacking in the haphazard story telling and the painfully slow second act. Also, the whole wolf-phobia side plot thing just totally didn't work at all. Still, the movie was enjoyable and I definitely recommend it for fans of Anderson's other works. As cliched as this sounds, it was a little short of fantastic for me.
Grade: B-

Wednesday - Top Ten Best Supporting Actresses of the Decade!

Mini Reviews...

Lakeview Terrace - Not exactly a bad movie, perse, just terribly trite and unoriginal. It's more a think piece about interracial relationships than a thriller about clashing neighbors. And, really, it just seems out of place in 2008. I mean, I know people are still prejudiced but do they really take it to this extreme? I find it hard to believe. It was probably the second most fun bad movie of the year (after Mamma Mia, of course). It was entertaining, if nothing else. And, you know, Patrick Wilson is so very nice to look at.
Grade: C-

My Best Friend's Girl - What the hell happened to Kate Hudson? I remember the days when she made good movies like 200 Cigarettes and Desert Blue and, you know, Almost Famous. Now she's trying too hard to be the romantic lead. She is charming as hell and it's hard not to like her but she's letting her talent go to waste with terrible scripts like this. I think there were about three times I laughed. Dane Cook is not funny. Jason Biggs is not... anything. Alec Baldwin was the saving grace of this disaster.
Grade: D+

Burn After Reading - Near the end of the film, J.K. Simmons tells a lackey, "Report back to me when this all makes sense." That's sort of how I felt as well. Lucky for the Coen Brothers (and their wonderfully outrageous cast), I like movies that are confusing and silly and often don't make much sense. John Malkovich is amazing in his role as a CIA agent who quits his job, writes his memoirs and has a sort of nervous breakdown. My favorite moment of the film is him walking off a boat wearing a robe and carrying an axe. John Malkovich is right up there with Eric Roberts as one of the coolest guys in the whole world. Brad Pitt is hilarious. I often dislike Pitt in films (because I dislike him in real life) but he was actually fun to watch here. George Clooney, Tilda Swinton, Frances McDormand (worst. hair. ever.) and Richard Jenkins round out a really great cast who made an enjoyable, funny, entertaining film.
Grade: B+

The Life Before Her Eyes - Melodramatic to say the least. Almost unbearable to watch.
Grade: D-

Snow Angels - What a beautifully tragic desperate and ultimately devastating film. Director David Gordon Green has sure shown his versatatily this year. First he makes this tragic depressing little film (which released in February) and then he follows it up with one of the funniest movies of the summer (Pineapple Express). I don't want to tell you too much plot because it's really worth watching. There are a lot of twists and a lot of really great linear storytelling. The cast is phenomenal. The ladies - Kate Beckinsale (she can act!), Olivia Thirlby and Amy Sedaris - are just fine but it's the men - Sam Rockwell and Michael Angarano - who steal the show. Rockwell will break your heart.
Grade: B+

Married Life - Not necessarily bad. Anything starring Patricia Clarkson is automatically "not bad" in my book. Still, it's boring as hell. I didn't care about any of these characters or any of the ways they slept with each other. If it wasn't for Patricia, I don't think I could have even finished it. Maybe it's my hatred for Rachel McAdams. Maybe it was the lousy script. Who knows.
Grade: D+

21, Leatherheads, The Ruins, Horrorfest

21 - The glitz! The glamour! The pretty, young things! It must be a gambling flick set in Las Vegas! 21 tells the semi-true story of a bunch of MIT geniuses who decide to use their math abilities for evil and not good - they take up counting cards and spend their weekends in hot and steamy Vegas instead of cold and snowy Boston and take the casinos for lots and lots of money. Because, you know, it's not enough that these kids be smarter than everyone else - they also have to be richer than everyone else and (for the movie's sake, at least) hotter than everyone else. The young leads of the film are Jim Sturgess and Kate Bosworth - and that's a problem. Sure, they are both young and pretty and they look great making doe eyes at each other. However, neither are exceptionally great actors. I mean, Sturgess is charming and good-looking but I think he only has two expressions - wide eyed innocence and angry greed. Bosworth knows she's pretty and knows she'll continue to get acting jobs so it seems she's content with doing the minimum required of her. So, the two leads leave all the heavy lifting to the big names in the cast - Kevin Spacey and Laurence Fishburn. They are both game for the challenge. Fishburn plays the same character he's been playing for at least the last ten years. Not that there is anything wrong with that. There's no one else I would want as my tough talking, moral yet sneaky, kick your ass if you cross me black man. Then there's Spacey. He's returned to form here. It's disappointing that he won the Best Actor Oscar for American Beauty which then put him in this habit of playing moral leading men. Kevin Spacey was never and will never be a leading man. He's much too interesting and too talented. He's at his best when he's playing different degrees of evil. His character here, the professor who starts the whole card counting club, isn't evil, per se. But he is a snarky sort of cynical sort of smartass. And there is absolutely no one that does snarky, cynical or smartass quite like Spacey. And so, Spacey is an absolute joy to watch. Director Robert Luketic wants to be Martin Scorsese while filming Casino but he's not. Instead he makes a shallow, glitzy, shiny, fun movie. And sometimes it's more than enough to be shallow and fun. This isn't a movie that wants to change your life. If you ignore the fact that it sometimes plays off as a vacation commercial for Las Vegas (has Las Vegas looked this much fun lately?!) and that the plot holes are the size of the Grand Canyon at times, then you'll surely enjoy the film.
Grade: C+


Leatherheads - File this one under 'wasted opportunity.' Director and star George Clooney does a decent job of creating a certain kind of atmosphere - jazz and football circa the 1920s. But good atmosphere can only get you so far. The story surrounds the beginning of professional football as we know it in 1925. Clooney stars as Dodge Connelly, the player / manager / public relations spinner of the Duluth Bulldogs, a rag tag group of guys who have never played a clean game in their life. But damn it if they aren't fun! After funding runs out on their league, Dodge gets the brilliant idea to recruit Princeton star and supposed war hero The Bullet (John Krasinski). At the time, recruiting college players was unheard of and Dodge's decisions will forever change the face of football. Enter Renee Zellweger to play Lexie Littleton a sassy little journalist who livens things up a bit. Now the major problem. The movie is boring as hell! For all that atmosphere, all that charm, all the zingy one liners and nice costumes - it never really goes anywhere. There is something that just doesn't click. The script is decent enough. The acting is solid enough. The directing is solid enough. It just doesn't work. I love slapstick comedy as a genre but something about everything coming together just doesn't click. Clooney and Zellweger fancy themselves Grant and Hepburn from Bringing Up Baby. They are not. If I had to pick a best performance, however, I'd go with Zellweger. She's been pretty hit or miss for me lately but this movie actually reminded me why I, at one time, loved her so. The role is really perfect for her. There hasn't been a more perfect role for her since Bridget Jones. She's got that face and that attitude and it looks like she really did belong in the 1920s. Clooney and Krasinski are both charming, funny guys. This movie should have been something pretty great. Instead, it just plays as a boring disappointment.
Grade: D+

The Ruins - Here's the thing: The Ruins isn't a bad movie by any means. As far as modern day horror movies goes, it's one of the better ones. While it's not for everyone and it's not nearly as good as the masterpieces it pays homage to, those who appreciate the horror genre will probably find the movie to be enjoyable at the very least. It's a little disturbing and graphic (which doesn't bother me but will surely upset some people... like the woman sitting a few rows behind me who apparently never saw a horror movie in her entire life) and a little cliched. The film moves along at a fast pace. It's got a short running time and a bunch of young actors who are hot AND can act (imagine that!). The thing I think I liked most about it is that the characters actually do things that a normal person would probably do in the given situation. (And this is a rarity in horror films!). There are a few really intense and solid scenes. Of course, there are a few not so great scenes as well. The acting is all believable (Jena Malone and Jonathan Tucker are the stars but Laura Ramsey steals the show). I'm not exactly sure that there is a great plot in there and I'm not exactly sure I loved everything about what they found when they got to the ruins but I didn't hate it enough to not recommend this film. It's not a great movie but it's definitely fun for people who are sick of watered down, cheap, lousy horror movies.
Grade: C
[For the record: this would have gotten a C+ but I absolutely hated the ending... especially after finding out what the ending of the book is... they really, really, really should have thought a little longer about keeping the ending the same.]

Mulberry Street - I know I've used the phrase "Worst Movie Ever Made" more than once on this blog but this time I'm serious. I mean, it's about Rat People, for Christ's sake. So, seriously, stay far away from this lousy, terrible, awful movie.
Grade: F

Michael Clayton, We Own the Night

Michael Clayton - This is the kind of movie that is a little bit hard to explain. Why? Well, it takes all of about the entire two hours to finally get a grasp on what exactly is going on. Guess what? I love movies like that. Also, the plot is just a little bit complicated. George Clooney plays Michael Clayton, a "fixer" for a high-powered law firm in New York City. Said firm is representing a manufacturing company, U North, in a class action libel suit that says their weed repelent has killed family members. Tom Wilkinson is the lawyer in charge of that case (but also, he's sort of making a case against them). Tilda Swinton is a sort of public relations person for U North. Sydney Pollack is the head honcho at the law firm. These are the main characters you need to worry about. The movie surely requires a lot of attention, but it's not the convoluted jigsaw puzzle I'm making it sound like. There are a lot of secondary characters involved in the story that make explaining it difficult. There are also various important pieces of information that I wouldn't want to give away. The film makers aren't spoon feeding the audience but they also haven't made the movie something you can't understand (David Lynch didn't direct it, after all). To make things generic, the basic plot is not unlike 'A Civil Action' or 'Erin Brokovich.' But unlike either of those films, this film works on a much higher level. It unfolds in a spell binding way. It's completely engrossing (except for the middle section which dragged a bit for me but whatever). The story telling is mesmerizing. The dialogue is pitch perfect. And those performances! The spotlight surely falls on Clooney - as it always does. He's amazing, for sure (especially while the credits role - don't look at them - look at everything that is happening in Clooney's face... those 2 minutes alone are nomination worthy). But the real stand-out here is Wilkinson. He does over the top with a subtle nuance and it's just perfect. He's on my short list for Best Supporting Actor. Holding it down for the ladies is the amazing Tilda Swinton. You can have your Cate Blanchett. I'll take Tilda. She's amazing to watch. There is a particular scene in which she practices a speech while getting ready for work that just knocked me out. The movie is not without it's flaws of course. It's hardly convincing that lawyers wouldn't know better than to assume Clayton died in a fiery car crash when there was clearly no body. Also, the final 10 minutes is terribly predictable and cliche. Although, Clooney and Swinton somehow make it almost work. Maybe I'm just getting tougher. After all, pretty much every movie that comes out after September wants to be considered for an Oscar. If this movie was released in, say, April, it probably would have gotten a higher grade.
Grade: B

We Own the Night - There's a lot to like with We Own The Night. Unfortunately, there's a lot to dislike as well, especially after last year's fantastic The Departed. This movie will inevitably be compared to that movie and it's almost not fair. But guess what? Both are complicated mob/cop movies. The Departed is as close to perfection as possible. Compared to Scorsese's masterpiece, We Own the Night is mediocre at best. The movie which takes place in the 80s (wonderful setting) in New York City follows Bobby Green (Joaquin Phoenix), a nightclub manager who has a hot girlfriend (Eva Mendes) and a decadent drug fueled lifestyle. Meanwhile, his brother Joseph (Mark Walhberg) just got promoted to the captain of the drug inforcement task force on the police department. Their father (Robert DuVall) is also a respected and veneered police officer. That's the basic plot. What are the fatal flaws here? The characters are terribly contrived. The storyline is a little bit nonsensical (I really don't want to ruin anything but Phoenix's character makes such a drastic character change near the end that I just personally find hard to believe). There are quite a few boring parts. The acting is superb but that's to be expected with such a high caliber cast. The on-screen family, however, has little chemistry together. Mendes' character is annoying and a bit ridiculous (she and Phoenix take part in the most gratitous, unnecessary sex scene in recent memory). There's a lot of things that don't make a lot of sense (where is the cop back-up? why is DuVall so mad at Phoenix just for managing a nightclub? why would the drug dealer just hang around in the city?) . They give us reasons for some of this stuff but they don't satisfy my curiosity. But the movie definitely isn't all bad. The two shootouts are well done with a lot of shaky camera, which makes them more exciting. The final cat and mouse game in the long grass is thrilling and engrossing. There's a car chase in the pouring rain that will make your heart stop beating. Overall, the movie is barely more than average.
Grade: C+

The TV Set - I would definitely recommend this movie. It's fun and funny, witty and well done. It's an interesting look at how exactly a television show gets made. Grade: B-

Lucky You - Ah, my most hated film genre - the romantic comedy. It is my mortal enemy. This movie is about 30 minutes too long. It's also a shame that Texas Hold Em' is so 2005. But, kudos for small roles from Robert Downey Jr. and Michael Shannon. Grade: D

Reign Over Me - I'm about 3/4 of the way through this movie right now and it's so boring that I am doing this instead. I heard so much about Adam Sandler being Oscar worthy? Are you kidding me? Don Cheadle is wiping the floor with him. Grade: D (as of right now anyway).